"Hic est discipulus" by Francisco Guerrero, A5 Vocal Ensemble had its release date on December 25, 2024. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Hic est discipulus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Francisco Guerrero, A5 Vocal Ensemble's "Inaudita Musica - Francisco Guerrero" album is number 6 out of 11. On top of that, United States appears to be the country where this track was created. Hic est discipulus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hic est discipulus by Francisco Guerrero, A5 Vocal Ensemble to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Missa Quadragesimalis, MH 552: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 2 | 1A | 78 BPM | ||
| MISA IN TE DOMINE SPERAVI: Agnus Dei | Francisco Guerrero, A5 Vocal Ensemble | D Minor | 2 | 7A | 72 BPM | ||
| Crucifixus a 8 voci | Antonio Lotti, Ensemble Zene, Bruno Kele-Baujard | C Major | 1 | 8B | 124 BPM | ||
| O Mensch, bewein dein Sünde gross | Caspar Othmayr, Vox Luminis, Lionel Meunier, Haru Kitamika | F Major | 1 | 7B | 95 BPM | ||
| Agimus tibi gratias | Cipriano de Rore, The Brabant Ensemble, Stephen Rice | B♭ Minor | 1 | 3A | 120 BPM | ||
| Behold, How Good and Joyful a Thing It Is | Thomas Wilson, The Choir of Peterhouse, Cambridge, Simon Jackson | C Major | 1 | 8B | 171 BPM | ||
| Dieu, nous Te louons | Chœur Éphata, Rogatien Despaigne | A Minor | 3 | 8A | 99 BPM | ||
| Hacomplaynt: Salve Regina: III. O clemens, o pia, o dulcis | Robert Hacomplaynt, Choir of King's College, Cambridge, Stephen Cleobury | E♭ Minor | 1 | 2A | 68 BPM | ||
| To Persephone | The Rosslyn Singers, Mary Oliver | E Major | 2 | 12B | 77 BPM | ||
| Petite messe solennelle: XI. Credo. Credo in unum Deum | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
| Dum complerentur: II. Dum ergo essent | Giovanni Pierluigi da Palestrina, London Oratory Schola Cantorum, Charles Cole | B♭ Major | 2 | 6B | 65 BPM | ||
| Madrigals, Libro 1: No. 1, Baci soavi e cari, W. 1/13 | Carlo Gesualdo, La Compagnia del Madrigale | D Major | 1 | 10B | 81 BPM | ||
| Vespers: No. 1, The Opening Psalm | Benedict Sheehan, Michael Hawes, Timothy Parsons, The Saint Tikhon Choir | D Major | 0 | 10B | 84 BPM | ||
| Praeambulum Legatura | The Royal Wind Music | A♭ Minor | 0 | 1A | 71 BPM | ||
| Gloria in D Major: Et in terra | Antonio Lotti, Mária Zádori, Judit Nemeth, Gábor Oláh, Tibor Gyenge, László Donyec, Mihály Lakatos, Henrik Hirschberg, Antal Pálkövi, Lotti Chamber Choir, Camerata Pro Musica Chamber Orchestra, Ferenc Rózsa | D Major | 0 | 10B | 84 BPM | ||
| Sing me to heaven | Ars Poliphonica | E Major | 0 | 12B | 68 BPM | ||
| Kaiserrequiem: VII. Communio (Lux aeterna) | Johann Joseph Fux, Vox Luminis, Lionel Meunier, Scorpio Collectif | C Minor | 1 | 5A | 67 BPM | ||
| Messe brève No. 7: IIa. Domine Fili unigenite | Charles Gounod, Mirko Ludwig, Gunter Troje, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | F Major | 0 | 7B | 137 BPM | ||
| Mass for Four Voices: IIb. Domine Deus | William Byrd, Stile Antico | A♭ Major | 1 | 4B | 79 BPM | ||
| Jesu, salvator saeculi, verbum: Jesu, salvator saeculi, verbum | John Sheppard, Stile Antico | D Minor | 1 | 7A | 169 BPM | ||
| Holy Spirit Mass: The Spirit's Work: Come | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | F Minor | 1 | 4A | 127 BPM | ||
| Ave Virgo Sanctissima | Francisco Guerrero, John Eliot Gardiner | B Minor | 1 | 10A | 127 BPM | ||
| Canticle of Zachariah | James MacMillan, St Salvator's Chapel Choir, Tom Wilkinson | G Minor | 1 | 6A | 94 BPM | ||
| Verbum Caro Factum Est | Elaria, Nova Schola Gregoriana, St. Peter St. Paul Cathedral Choir of Minsk | D Minor | 2 | 7A | 136 BPM | ||
| Vidimus Stellam: III. Hodie Christus Natus Est | Kevin Siegfried, The Byrd Ensemble, Markdavin Obenza | D Major | 1 | 10B | 69 BPM |