"The Day After The Revolution - CD Version / Long Outro" by Pulp had its release date on March 30, 1998. This song appears to be safe for all ages as it is not explicit. There are a total of 26 in the song's album "This Is Hardcore". In this album, this song's track order is #12. In terms of popularity, The Day After The Revolution - CD Version / Long Outro is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Day After The Revolution - CD Version / Long Outro by Pulp having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Reverend Black Grape | Black Grape | A♭ Major | 9 | 4B | 108 BPM | ||
| Nothing Lasts Forever | Echo & the Bunnymen | C Major | 7 | 8B | 84 BPM | ||
| Hypnotized | Spacemen 3 | E♭ Minor | 7 | 2A | 115 BPM | ||
| Hobart Paving | Saint Etienne | D♭ Major | 3 | 3B | 76 BPM | ||
| Down In The Tube Station At Midnight - 1997 Remaster | The Jam | C Major | 7 | 8B | 173 BPM | ||
| I Want to Be There (When You Come) | Echo & the Bunnymen | E Major | 10 | 12B | 134 BPM | ||
| Late in the Day | Supergrass | A Minor | 5 | 8A | 86 BPM | ||
| Blowing Bubbles | The Lightning Seeds | G Major | 9 | 9B | 105 BPM | ||
| Lovechild | Happy Mondays, Stevie Stanley | B♭ Minor | 7 | 3A | 108 BPM | ||
| Nature Boy | Nick Cave & The Bad Seeds | G Major | 9 | 9B | 140 BPM | ||
| Acrylic Afternoons | Pulp | A Minor | 7 | 8A | 143 BPM | ||
| Endless Art | A House | C Major | 6 | 8B | 95 BPM | ||
| Slow Graffiti | Belle and Sebastian | D♭ Major | 3 | 3B | 108 BPM | ||
| Solarized | Ian Brown | F Major | 5 | 7B | 120 BPM | ||
| Camping Next to Water | Badly Drawn Boy | D Major | 6 | 10B | 123 BPM | ||
| Big City (Everybody I Know Can Be Found Here) | Spacemen 3 | E♭ Minor | 7 | 2A | 115 BPM | ||
| 12 Reasons Why I Love Her | My Life Story | G Minor | 9 | 6A | 146 BPM | ||
| Then | The Charlatans | A Major | 7 | 11B | 112 BPM | ||
| The Dog-end of a Day Gone By | Love and Rockets | D Minor | 9 | 7A | 142 BPM | ||
| On & On | Longpigs | C Major | 5 | 8B | 154 BPM | ||
| A Few Hours After This ... | The Cure | F♯ Major | 9 | 2B | 134 BPM | ||
| Living Too Late | The Fall | G Major | 6 | 9B | 113 BPM | ||
| The Trees | Pulp | F♯ Major | 6 | 2B | 110 BPM | ||
| Billy Bones | Monaco | E Minor | 8 | 9A | 151 BPM | ||
| Destiny Or Circumstance | Ian Brown | A Major | 8 | 11B | 108 BPM |