Toshiyuki Honda's ' "LA JOLLA" was released on its scheduled release date, October 7, 1992. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 9 in the song's album "REED MY LIPS". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Japan. In terms of popularity, LA JOLLA is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With LA JOLLA by Toshiyuki Honda having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jojo | 上田力とパワー・ステーション | G Major | 6 | 9B | 128 BPM | ||
| 15 / 16 | The Steve McQueens | E♭ Minor | 6 | 2A | 122 BPM | ||
| Origin | かつしかトリオ | C Minor | 5 | 5A | 125 BPM | ||
| ボッサ・デ・ファンク | Yoshiko Kishino | F Major | 5 | 7B | 117 BPM | ||
| スティル・ビー・バップ | Terumasa Hino | D♭ Major | 6 | 3B | 126 BPM | ||
| ROLLING 40TH ローリング・フォーティーズ | 菊池ひみこ | F Major | 9 | 7B | 113 BPM | ||
| ザッツ・ハウ・アイ・フィール | 稲垣次郎とソウル・メディア | F Minor | 5 | 4A | 79 BPM | ||
| LASTING NOTE | Noriki | F Major | 1 | 7B | 121 BPM | ||
| アンダルシアの風 | Masaru Imada | C Minor | 6 | 5A | 141 BPM | ||
| More Mojo | 海野 雅威 | E♭ Major | 2 | 5B | 136 BPM | ||
| Tequila Toast | Masaki Matsubara | B Minor | 6 | 10A | 201 BPM | ||
| Coral Eyes | Shigeharu Mukai | C Major | 7 | 8B | 136 BPM | ||
| Sky Islands | caldera, Dianne Reeves | D Major | 9 | 10B | 98 BPM | ||
| Everlasting Dreams | Minoru Mukaiya | G Minor | 7 | 6A | 90 BPM | ||
| Clutch | SEATBELTS | C Major | 6 | 8B | 152 BPM | ||
| Froggo | Varra | A♭ Major | 2 | 4B | 120 BPM | ||
| Wuthering Heights | Naruyoshi Kikuchi, ペペ・トルメント・アスカラール | B♭ Minor | 7 | 3A | 100 BPM | ||
| バティック・パサール | Toshiyuki Honda | A♭ Minor | 5 | 1A | 127 BPM | ||
| Find Your Way | Blu-Swing | G Major | 8 | 9B | 155 BPM | ||
| aishu no Talio | RYUSENKEI, HITOMITOI | D Minor | 6 | 7A | 144 BPM | ||
| Tenor For You | Yoshihiro Naruse, Toshiyuki Honda | D Major | 4 | 10B | 105 BPM | ||
| アメアガリ:AMEAGARI | Akira Jimbo | B Minor | 7 | 10A | 96 BPM | ||
| BLACK ORPHEUS | Masaru Imada | D Major | 3 | 10B | 91 BPM | ||
| PIANO BLACK | SEATBELTS | D♭ Major | 7 | 3B | 121 BPM | ||
| ハイ・ジャック | 稲垣次郎とソウル・メディア | G Minor | 5 | 6A | 125 BPM |