"Preludio (Rigoletto)" by Jan Peerce, RCA Victor Orchestra, Joyce White, Arthur Newman, Nathaniel Sprinzena, Italo Tajo, Leonard Warren, Erna Berger, Nan Merriman, Paul Ukena had its release date on August 8, 2006. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Preludio (Rigoletto)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 37 in the song's album "Rigoletto". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Austria. Preludio (Rigoletto) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Preludio (Rigoletto) by Jan Peerce, RCA Victor Orchestra, Joyce White, Arthur Newman, Nathaniel Sprinzena, Italo Tajo, Leonard Warren, Erna Berger, Nan Merriman, Paul Ukena having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| H.M.S. Pinafore / Act 2: Fair moon to thee I sing | Arthur Sullivan, The D'Oyly Carte Opera Company, Jeffrey Skitch, The New Symphony Orchestra Of London, Isidore Godfrey | A Major | 1 | 11B | 102 BPM | ||
| Rigoletto: Scorrendo uniti remota via | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | A Major | 1 | 11B | 118 BPM | ||
| Hamlet, Act II: O vin, dissipe la tristesse | Ambroise Thomas, Dmitri Hvorostovsky, Andrey Azovsky, Dmitry Kuznetsov, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | B♭ Major | 3 | 6B | 170 BPM | ||
| Don Giovanni, K. 527: Act II Scene 16: Tu m'invitasti a cena (Commendatore) | Wolfgang Amadeus Mozart, Cesare Siepi, Fernando Corena, Lisa della Casa, Eleanor Steber, Jan Peerce, Roberta Peters, Theodore Uppman, Giorgio Tozzi, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Karl Böhm | D Minor | 4 | 7A | 86 BPM | ||
| Carmen, WD 31, Act I: Avec la garde montante | Georges Bizet, Fritz Reiner, Orchestra Del Teatro Dell'Opera Di Roma, Coro Del Teatro Dell'Opera Di Roma, Jan Peerce, Hugh Thompson | C Major | 3 | 8B | 96 BPM | ||
| 26. From ev'ry kind of man Obedience I expect | Arthur Sullivan, Lyndsie Holland, John Ayldon, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | C Major | 2 | 8B | 80 BPM | ||
| Der Freischütz, Op. 77, J. 277: Jägerchor | Carl Maria von Weber, Radio Kamer Filharmonie, Groot Omroepkoor, Michael Schønwandt, Michael Gläser | D♭ Major | 2 | 3B | 123 BPM | ||
| Samson and Delilah (Highlights): Act III, Scene II, "Bacchanale" | Camille Saint-Saëns, Rise Stevens, Jan Peerce, Robert Merrill, Robert Shaw Chorale, NBC Symphony Orchestra, Leopold Stokowski | D Minor | 4 | 7A | 138 BPM | ||
| Don Pasquale, Act I Prima scena: Son nov'ore (Pasquale/Malatesta) | Gaetano Donizetti, Sesto Bruscantini/Leo Nucci/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | C Major | 1 | 8B | 111 BPM | ||
| Gounod: Faust, Act 3: Couplets. "Faites-lui mes aveux" (Siebel) | Charles Gounod, Michel Plasson, Martine Mahé, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| La Traviata: "Libiamo Libiamo" | Enrico Caruso | B♭ Major | 3 | 6B | 103 BPM | ||
| Trial by Jury: Hark, The Hour of Ten Is Sounding | Gilbert & Sullivan Society of Houston | A Major | 3 | 11B | 181 BPM | ||
| Linda di Chamounix, A. 62, Act I Scene 3: Ah! Tardai troppo | Gaetano Donizetti, Jessica Pratt, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | D♭ Major | 0 | 3B | 141 BPM | ||
| Yerevan | Montserrat Caballé, Montserrat Marti | C Minor | 3 | 5A | 185 BPM | ||
| Bellini: I puritani, Act 1: "A te, o cara, amor talora" (Arturo, Elvira, Giorgio, Gualtiero, Coro) | Vincenzo Bellini, Riccardo Muti, Agostino Ferrin, Alfredo Kraus, Ambrosian Opera Chorus, Montserrat Caballé, Stefan Elenkov, Philharmonia Orchestra | B♭ Major | 7 | 6B | 140 BPM | ||
| Rossini: Petite messe solennelle: II. Gloria, 4. Domine Deus (Tenor). Allegro giusto | Gioachino Rossini, Antonio Pappano | F Major | 1 | 7B | 81 BPM | ||
| Bajazzo: Andiam: din, don suona vespero | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | C Major | 2 | 8B | 132 BPM | ||
| Norma / Act 2 Scene 1: "Mira, O Norma" | Vincenzo Bellini, Sumi Jo, Cecilia Bartoli, Orchestra La Scintilla, Giovanni Antonini | F Major | 2 | 7B | 74 BPM | ||
| Nonnenkoor Uit Casanova | Koor en Orkest o.l.v. Benedict Silberman | F Major | 3 | 7B | 87 BPM | ||
| Don Giovanni, K. 527: Deh vieni alla finestra | Wolfgang Amadeus Mozart, Ruggero Raimondi, Lorin Maazel, Chorus & Orchestra of the Théâtre National de l'Opera, Paris, Paris National Opera Orchestra | D Major | 2 | 10B | 75 BPM | ||
| Brodis Godounoff: Coronation Scene | Ezio Pinza, Roberta Peters, Jan Peerce | A♭ Major | 2 | 4B | 120 BPM | ||
| Non ti scordar di me (Orch. G. Chiaramello) | Ernesto de Curtis, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | F Major | 2 | 7B | 85 BPM | ||
| H.M.S. Pinafore / Act 1: Sorry her lot who loves too well | Arthur Sullivan, The D'Oyly Carte Opera Company, Jean Hindmarsh, The New Symphony Orchestra Of London, Isidore Godfrey | F Major | 1 | 7B | 91 BPM | ||
| Presssacklied | Martin Frank | E♭ Major | 4 | 5B | 85 BPM | ||
| Il barcaiolo | Gaetano Donizetti, Cecilia Bartoli, James Levine | D♭ Major | 1 | 3B | 99 BPM |