Last Exit's 'Big Boss Man' had a release date set for March 28, 1988. With This song being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 6 in Cassette Recordings '87 by Last Exit. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Big Boss Man is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Big Boss Man by Last Exit is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| One Red Rose That I Mean | Captain Beefheart & His Magic Band | A Minor | 2 | 8A | 103 BPM | ||
| So Small, So Weak, This Bloody Sweat of Loving | Last Exit, Bill Laswell, Peter Brötzmann, Sonny Sharrock, Ronald Shannon Jackson | C Major | 9 | 8B | 122 BPM | ||
| The Lawn Of The Limp | Tortoise, The Ex | G Minor | 9 | 6A | 139 BPM | ||
| I Don't Want to Be Happy | The Contortions | G Major | 8 | 9B | 150 BPM | ||
| Black Chamber | Painkiller | F♯ Minor | 7 | 11A | 130 BPM | ||
| Molemoss | Colin Stetson, Trevor Dunn, Greg Fox | A Minor | 3 | 8A | 180 BPM | ||
| Mappo | Bennie Maupin | A Minor | 3 | 8A | 180 BPM | ||
| Beata Viscera | Zu | F♯ Major | 9 | 2B | 130 BPM | ||
| DOBLE CLIT | Plasmo Blob | B♭ Minor | 9 | 3A | 125 BPM | ||
| Black Money | ARCANA, Bill Laswell, Tony Williams | D Major | 4 | 10B | 135 BPM | ||
| Ghost | Aaron Dilloway | C Minor | 5 | 5A | 130 BPM | ||
| Angel (Live) | Oxbow, Peter Brötzmann | C Major | 6 | 8B | 108 BPM | ||
| Backwater | Last Exit | G Major | 9 | 9B | 116 BPM | ||
| Ghosts | Albert Ayler | B♭ Major | 7 | 6B | 87 BPM | ||
| Number Five | Arab On Radar | C Major | 7 | 8B | 117 BPM | ||
| Ma-ri-nette - Ma-rie Antoi-nette Edit | Sylvain Darrifourcq, Manuel Hermia, Valentin Ceccaldi | D Major | 4 | 10B | 148 BPM | ||
| Beachside Lonelyhearts | Patrick Shiroishi | E♭ Major | 2 | 5B | 75 BPM | ||
| Eventually | Ornette Coleman | B Major | 4 | 1B | 93 BPM | ||
| Beauty Is a Rare Thing | Ornette Coleman | F Minor | 0 | 4A | 110 BPM | ||
| Ma Rainey | Last Exit | A♭ Minor | 8 | 1A | 81 BPM | ||
| Drums Unlimited | Max Roach | A♭ Minor | 5 | 1A | 109 BPM | ||
| The Sea Incertain | Gastr Del Sol | A Major | 1 | 11B | 97 BPM | ||
| Arrival in New York | Joe Zawinul, Lewis Hahn | F Major | 2 | 7B | 118 BPM | ||
| Edweena | The Residents | D Minor | 4 | 7A | 148 BPM | ||
| Panzer Be-Bop | Last Exit | D Major | 5 | 10B | 82 BPM |