On April 25, 2001, the song "Sayinya Maan Jaa Kahanwa" was released by Gopal Rai, Tripti Shakya. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 8 in Chitthiya Mein Khatra Ba by Gopal Rai, Tripti Shakya. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Sayinya Maan Jaa Kahanwa's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sayinya Maan Jaa Kahanwa by Gopal Rai, Tripti Shakya is Allegro (fast, quick, and bright), since this song has a tempo of 155 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jay Yogiraj Murati - Aarti | Ashok Bhosale | F Major | 6 | 7B | 120 BPM | ||
| Mahima Gaau Thari Baba Ramdevji Bhajan | Moinudin Manchala | F♯ Major | 5 | 2B | 77 BPM | ||
| Lelo Ri Lelo Maiya | Reema Noopur | A Major | 5 | 11B | 156 BPM | ||
| Aulad Bhula Deti Hai | Shaqeel Ashfaq | F♯ Minor | 10 | 11A | 114 BPM | ||
| Soundarya Siyyonu | RAMESH hOSANNA MINISTRIES | D Minor | 6 | 7A | 177 BPM | ||
| Pat Khulte Hi Maai Musukai Lee | Bharat Sharma Vyas | G Minor | 5 | 6A | 123 BPM | ||
| Tharo Nirmal Niramal Pani Narbada Maharani | Maa Narmada Nimadi Bhajan | Ashwin Yadav | B♭ Minor | 6 | 3A | 181 BPM | ||
| Sahje Mein Mil Jaai Maiya Ke Bhakti | Gopal Rai | C Major | 7 | 8B | 120 BPM | ||
| Mann Ke Manoti La | Gorelal Burman, Shantilal Shah | D♭ Major | 7 | 3B | 127 BPM | ||
| Bhomiya Ho Raja | Bhoma Ram Panwar | C Minor | 9 | 5A | 112 BPM | ||
| Hay Balangi Ena Balangapana | Bilal Tadavi, Urmila Mahajan, Aarti Kale | D♭ Major | 7 | 3B | 78 BPM | ||
| Jagrate Ki Raat | Manish Tiwari | A♭ Major | 6 | 4B | 144 BPM | ||
| Mazya Nayani Tu Sajani | Yuvraj Pradhan | D♭ Major | 7 | 3B | 150 BPM | ||
| Jin Din Janamiya Hansa | Prakash Mali | E♭ Minor | 8 | 2A | 84 BPM | ||
| Sai Re Sai | Sachidanand Appa | A♭ Major | 7 | 4B | 72 BPM | ||
| Ge Bahina Kona Ka Parichav | Dilip Dharbhangiya | F♯ Major | 9 | 2B | 115 BPM | ||
| Sanwariya Kahiyo Aitu | Gopal Rai | A♭ Major | 6 | 4B | 77 BPM | ||
| Moriyare Bappa Moriyare | Kumar Swamy | E Major | 5 | 12B | 116 BPM | ||
| Guru Mazhya Ho Nathala | Shakuntala Jadhav | B Major | 7 | 1B | 101 BPM | ||
| Dena Ho To Dijiye | Manish Tiwari | D♭ Major | 5 | 3B | 98 BPM | ||
| Gharaat Shirlaay Chor (From "Aata Tari Ghari Mala Soda") | Uttara Kelkar | F♯ Major | 10 | 2B | 90 BPM | ||
| O Meera Bhabhi Ji | Moinuddin Manchala, Prakash Mali | E♭ Major | 7 | 5B | 95 BPM | ||
| Bondhu Tin Tinta Chithi Dilam | Momtaz | G Major | 6 | 9B | 160 BPM | ||
| Aapne Piya Ki Meera | Moinuddin Manchala, Prakash Mali | E♭ Major | 7 | 5B | 95 BPM | ||
| Saat Samunder Paar Se | Gopal Rai | F Major | 5 | 7B | 89 BPM |