"There And Here" by Peter Broderick had its release date on September 23, 2008. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. There And Here's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Peter Broderick's "Home" album is number 8 out of 10. On top of that, United States appears to be the country where this track was created. There And Here is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of There And Here by Peter Broderick to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fair Fading | Elskavon | B♭ Major | 0 | 6B | 75 BPM | ||
| Sleepless | Stefano Guzzetti | C Minor | 1 | 5A | 95 BPM | ||
| Dear, Dolores - Rework | Illuminine | E Major | 0 | 12B | 107 BPM | ||
| Kittick - Simeon Walker Rework | Erland Cooper, Simeon Walker | D Minor | 0 | 7A | 111 BPM | ||
| Fyrir Norðan | Hugar | G Major | 0 | 9B | 67 BPM | ||
| The Slow Descent Has Begun | A Winged Victory for the Sullen, Adam Wiltzie, Dustin O'Halloran | A Minor | 1 | 8A | 109 BPM | ||
| Vigil II | Richard J. Birkin | C Minor | 0 | 5A | 72 BPM | ||
| Maracuyá / Barranco | Sergio Díaz De Rojas | B Major | 2 | 1B | 162 BPM | ||
| The First Signs | Julia Kent, Hoshiko Yamane, Library Tapes | G Major | 2 | 9B | 82 BPM | ||
| GOL | Martin Kohlstedt | D♭ Major | 1 | 3B | 92 BPM | ||
| Waves | Vetle Nærø | F♯ Minor | 0 | 11A | 100 BPM | ||
| Tramlines | Neil Cowley | D Minor | 0 | 7A | 68 BPM | ||
| Violin Solo No. 1 | Peter Broderick | G Minor | 1 | 6A | 95 BPM | ||
| Speak to Him of Silence | Alex Kozobolis | F♯ Minor | 3 | 11A | 137 BPM | ||
| As Much as Possible | Bing & Ruth | D♭ Major | 0 | 3B | 72 BPM | ||
| Airam | Nil Ciuró | A♭ Major | 3 | 4B | 120 BPM | ||
| Dawn Chorus | Jon Hopkins | D Major | 1 | 10B | 85 BPM | ||
| The Place Where They Go | Carlos Cipa | E♭ Major | 0 | 5B | 206 BPM | ||
| Drive Me Somewhere Nice | Tim Linghaus | E♭ Major | 2 | 5B | 178 BPM | ||
| Starboard Home | King Creosote, Jon Hopkins | B♭ Major | 2 | 6B | 88 BPM | ||
| Luxury | Martyn Heyne | F Minor | 0 | 4A | 51 BPM | ||
| Study For Player Piano (II) | Ólafur Arnalds | A Minor | 1 | 8A | 63 BPM | ||
| Marionette | Bruno Sanfilippo | F♯ Major | 1 | 2B | 173 BPM | ||
| Footsteps | Mike Lazarev, Arovane | E Minor | 1 | 9A | 122 BPM | ||
| Fragment VIII | Library Tapes | D♭ Major | 1 | 3B | 90 BPM |