Pierre Rode, Axel Strauss's '24 caprices en formes d'etudes: No. 18 in F Minor' had a release date set for December 15, 2009. With This song being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "Rode, P.: 24 Caprices for Solo Violin". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Hong Kong. 24 caprices en formes d'etudes: No. 18 in F Minor is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 24 caprices en formes d'etudes: No. 18 in F Minor by Pierre Rode, Axel Strauss having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Folia - Arranged for Cello and Accordeon | Mario Brunello, Ivano Battiston | C Major | 0 | 8B | 141 BPM | ||
| Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: 3. Allegro | Johann Sebastian Bach, Arthur Grumiaux, Herman Krebbers, Les Solistes Romands, Arpad Gérecz | G Minor | 4 | 6A | 96 BPM | ||
| Vieuxtemps: Violin Concerto No. 4 in D Minor, Op. 31: II. Adagio religioso | Henri Vieuxtemps, Alexander Markov, Lawrence Renes, Monte-Carlo Philharmonic Orchestra | B♭ Major | 1 | 6B | 98 BPM | ||
| Viola Concerto in B Minor (Arr. H. Casadesus for Chamber Orchestra): II. Andante ma non troppo | George Frideric Handel, Yuri Gandelsman, Evgeni Kovalevsky, Amayak Durgaryan, Moscow Virtuosi, Boris Garlitsky | B Major | 6 | 1B | 124 BPM | ||
| Dance of the goblins | Razvan Stoica | C Major | 4 | 8B | 177 BPM | ||
| Viola Concerto in D Major: I. Allegro | Franz Anton Hoffmeister, Victoria Chiang, Baltimore Chamber Orchestra, Markand Thakar | B♭ Major | 1 | 6B | 117 BPM | ||
| Cello Concerto in C Minor (spuriously attrib. to Johann Christian Bach): III. Allegro molto energico | Henri Casadesus, Yuli Turovsky, I Musici de Montréal | C Minor | 2 | 5A | 75 BPM | ||
| 24 caprices en formes d'etudes: No. 16 in B-Flat Minor | Pierre Rode, Axel Strauss | G Minor | 2 | 6A | 116 BPM | ||
| Violin Concerto No. 11 in D Major, Op. 23: III. Rondo allegretto | Pierre Rode, Friedemann Eichhorn, Jena Philharmonic Orchestra, Nicolás Pasquet | D Major | 3 | 10B | 121 BPM | ||
| Malagueña, op.165 No.3 | Itzhak Perlman, Samuel Sanders | G Major | 1 | 9B | 89 BPM | ||
| Souvenir de Spa, Op. 2: III. Variation 1 | Adrien François Servais, Sol Gabetta, Cappella Gabetta | D Major | 5 | 10B | 76 BPM | ||
| Violin Concerto No. 4 in D Minor, Op. 31: IV. Finale marziale: Andante - Allegro | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | D Major | 2 | 10B | 78 BPM | ||
| Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
| Passacaglia in G Minor (After G.F. Handel's Keyboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille) | Johan Halvorsen, Natalia Lomeiko, Yuri Zhislin | A Minor | 1 | 8A | 149 BPM | ||
| Schubert: String Quartet No. 14 in D Minor, D. 810, "Death and the Maiden": IV. Presto | Franz Schubert, Quatuor Arod | D♭ Major | 1 | 3B | 149 BPM | ||
| Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin Mehta | D Minor | 1 | 7A | 108 BPM | ||
| Fallen Angel: V. Violin Cadenza | Mateusz Smoczyński | B Minor | 1 | 10A | 88 BPM | ||
| Havanaise, Op. 83: III. Allegro ma non troppo - 2020 Remastered Version | Camille Saint-Saëns, Zino Francescatti, William Smith, Columbia Symphony Orchestra | E♭ Major | 4 | 5B | 113 BPM | ||
| Violin Concerto in G Minor, BWV 1056: I. (Allegro) | Johann Sebastian Bach, Isabelle Faust, Muriel Cantoreggi, Christoph Poppen, Bach-Collegium Stuttgart, Helmuth Rilling | C Minor | 2 | 5A | 75 BPM | ||
| Five Pieces For Two Violins and Piano: II. Gavotte | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | A Major | 1 | 11B | 82 BPM | ||
| Glazunov: Violin Concerto in A Minor, Op. 82: I. Moderato | Alexander Glazunov, Itzhak Perlman, Israel Philharmonic Orchestra, Zubin Mehta | G Minor | 1 | 6A | 113 BPM | ||
| Vieuxtemps: Violin Concerto No. 4 in D Minor, Op. 31: IV. Finale marciale | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | D Major | 3 | 10B | 76 BPM | ||
| Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | D Major | 3 | 10B | 114 BPM | ||
| 6 Sonatas for Violin Solo, Op. 27: Sonata No. 3 in D Minor "Ballade" | Eugène Ysaÿe, Hilary Hahn | G Minor | 2 | 6A | 108 BPM | ||
| Allegretto grazioso | Nicola Porpora, Mela Tenenbaum, Richard Kapp | D Major | 1 | 10B | 156 BPM |