Max Reger, Bamberg Symphony, Horst Stein's ' "Variations And Fugue On A Theme By Wolfgang Amadeus Mozart, Op. 132: 5. Var. IV: Vivace" was released on its scheduled release date, June 29, 2018. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Max Reger, Various Artists's "Max Reger - Orchestral Edition - Variations, Suites, Romances" album is number 34 out of 56. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Variations And Fugue On A Theme By Wolfgang Amadeus Mozart, Op. 132: 5. Var. IV: Vivace is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Variations And Fugue On A Theme By Wolfgang Amadeus Mozart, Op. 132: 5. Var. IV: Vivace by Max Reger, Bamberg Symphony, Horst Stein to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Preludes and Fugues for Piano, Op.87: Prelude & Fugue No.1 in C major: Fugue | Dmitri Shostakovich, Vladimir Ashkenazy | A Minor | 0 | 8A | 92 BPM | ||
| 18 Miniatures for Violin and Piano: No. 4, Grazioso (Arr. Julian Milkis) | Giya Kancheli, Polina Osetinskaya, Julian Milkis | C Major | 0 | 8B | 70 BPM | ||
| Mass in E-Flat Major, Op. 109 "Cantus Missae": III. Credo | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | A♭ Major | 1 | 4B | 118 BPM | ||
| Concerto for 2 Pianos, FP 61: II. Larghetto | Francis Poulenc, Leonard Bernstein, Arthur Gold, Robert Fizdale, New York Philharmonic | D♭ Major | 0 | 3B | 117 BPM | ||
| Fauré: Élégie, Op. 24 (Orchestral Version) | Gabriel Fauré, Paavo Järvi, Eric Picard, Orchestre de Paris | A♭ Major | 0 | 4B | 89 BPM | ||
| Symphony No. 1 for Organ and Orchestra, Op. 42: III. Finale | Alexandre Guilmant, Ian Tracey, Yan Pascal Tortelier, BBC Philharmonic | G Minor | 2 | 6A | 82 BPM | ||
| Fünf Skizzen, Op. 114: V. Im Frühling | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 71 BPM | ||
| Scherzino For Horn And String Orchestra, WoO I/6 | Max Reger, Marie Luise Neunecker, Bamberg Symphony, Horst Stein | E♭ Major | 0 | 5B | 84 BPM | ||
| Piano Trio in G Minor, Op. 17: IV. Allegretto | Clara Schumann, Ragna Schirmer, Iason Keramidis, Benedict Kloeckner | G Minor | 1 | 6A | 86 BPM | ||
| Clarinet Sonata in G Major, Op. 5: III. Allegretto grazioso – Vivace | Gustav Uwe Jenner, Jean Johnson, Steven Osborne | B Major | 0 | 1B | 64 BPM | ||
| Suite in the Old Style (excerpts, Arr. for Cello and Piano by J. Sévilla-Fraysse): I. Pastorale | Alfred Schnittke, Julie Sévilla-Fraysse, Anastasia Calmus | B Major | 0 | 1B | 64 BPM | ||
| Lobgesang. Symphony no. 2 op. 52: Allegretto un poco agitato | Felix Mendelssohn, Jan Willem de Vriend, Netherlands Symphony Orchestra | B♭ Major | 1 | 6B | 90 BPM | ||
| Variations & Fugue on a Theme by J.S. Bach, Op. 81: Var. 1. L’Istesso Tempo | Max Reger, Marc-André Hamelin | B Minor | 0 | 10A | 71 BPM | ||
| Poeme in D-Flat Major, Op. 39a | Zdeněk Fibich, Deutsche Streicherphilharmonie, Wolfgang Hentrich | D Major | 1 | 10B | 89 BPM | ||
| Grand Duet in E-Flat Minor (Version for Harp & Piano): II. Adagio | John Thomas, Duo Praxedis | E♭ Minor | 1 | 2A | 60 BPM | ||
| A Midsummer Night's Dream, Op. 61 (arr. for Wind Quintet): VI. Scherzo. Allegro vivace | Felix Mendelssohn, Ma'alot Quintett | B Major | 0 | 1B | 64 BPM | ||
| Variation 6: Sostenuto (quasi adagietto) | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | D Major | 1 | 10B | 74 BPM | ||
| Der Leib (BWV 161) - Arr. Simone Dinnerstein & Baroklyn | Simone Dinnerstein, Baroklyn | A Major | 2 | 11B | 71 BPM | ||
| Piano Concerto No. 3 in C Minor, Op. 32: IV. Lento. Maestoso. Solenne | Sergei Bortkiewicz, David Porcelijn, Stefan Doniga, Janáček Philharmonic Orchestra | C Major | 1 | 8B | 77 BPM | ||
| Massenet: 2 Berceuses: No. 1, Très calme avec un sentiment intime | Jules Massenet, Aldo Ciccolini | E♭ Major | 1 | 5B | 62 BPM | ||
| Serenade for Wind in D Minor, Op. 44: III. Andante con moto | Antonín Dvořák, Martin Gabriel, Alexander Oehlberger, Peter Schmidl, Andreas Wieser, Stepan Turnovsky, Wolfgang Koblitz, Fritz Faltl, Ronald Janezic, Thomas Joebstl, Wolfgang Vladar, Wolfgang Herzer, Herbert Mayr, Myung-Whun Chung | A Major | 0 | 11B | 139 BPM | ||
| Stabat Mater, Op. 58: VII. Virgo virginum praeclara (Largo) | Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic | B♭ Major | 2 | 6B | 88 BPM | ||
| Psalm 100, Op. 106: 3. "Gehet zu seinen Toren ein" | Max Reger, Bamberg Symphony, Horst Stein, Chor der Bamberger Symphoniker, Fritz Walter-Lindquist | D Major | 1 | 10B | 61 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l’Éternité de Jésus | Olivier Messiaen, Louise Bessette, Cameron Crozman | B Major | 0 | 1B | 64 BPM | ||
| Requiem, Op. 9: III. Domine Jesu Christe | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Christophe Gautier, Henri Chalet | D Major | 0 | 10B | 67 BPM |