On May 1, 2025, the song "Tare Karvi Hoy Nafrat-Sandip Rathva Old Return" was released by Sandip Rathva Khatash. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Tare Karvi Hoy Nafrat-Sandip Rathva Old Return's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Sandip Rathva Old Return". In this album, this song's track order is #16. Furthermore, we believe that the track originated from India. Based on our statistics, Tare Karvi Hoy Nafrat-Sandip Rathva Old Return's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Tare Karvi Hoy Nafrat-Sandip Rathva Old Return by Sandip Rathva Khatash having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chori Mari Okat | Raju Banka Kheda, Madan Gurjar | A♭ Major | 9 | 4B | 135 BPM | ||
| Dipude Ka Papa | Richpal Dhaliwal | D Major | 9 | 10B | 132 BPM | ||
| Garmi Part 5 | Arjun R. Meda, Virl Tirgar | D♭ Minor | 9 | 12A | 120 BPM | ||
| Thigeri Thiger Tute | Anil Piplaj, Sapna Pancholi | D Major | 9 | 10B | 140 BPM | ||
| Shooter Se Ban Gaya Tera Yaare Mafia | Parasram Bhadana, Sukhdev Tedwa | F♯ Minor | 10 | 11A | 187 BPM | ||
| Dj Par Nachne Aavli P.t 3 | Prakash Solanki, Piru Bhai Solanki | B♭ Minor | 8 | 3A | 130 BPM | ||
| Setting chal rai chaar | Misspriya Bundeli, Manisha, Mister Tufan | F Major | 10 | 7B | 125 BPM | ||
| Hela Pela Ne Jova Ni Aadat | Jeliya Bhuriya | F♯ Major | 6 | 2B | 180 BPM | ||
| Tharo Yar Lapeta Me Lev | Golu Rawal Dei | B♭ Major | 9 | 6B | 90 BPM | ||
| Lili Odhani | Narvat Rathva | F♯ Minor | 9 | 11A | 128 BPM | ||
| Mane Kai Bhul Gyo Albela | Samdu Gurjar | C Major | 9 | 8B | 75 BPM | ||
| Chhori Thar Bin Suno Laag Ch | Golu Rawal Dei | D Minor | 9 | 7A | 90 BPM | ||
| Dora Karwade Balam Mantar Bole Kaniya | Satto Gurjar | D♭ Major | 10 | 3B | 140 BPM | ||
| Patang Ki Dhil De Dena | Arjun R. Meda | D♭ Major | 10 | 3B | 140 BPM | ||
| Gurjar Ke Ghar Janam Liyo | DG Mawai, Lalluram Saini | D♭ Major | 10 | 3B | 140 BPM | ||
| Raja Raat Fati Dharti Si | Bhupendra Khatana | C Major | 10 | 8B | 122 BPM | ||
| Takat Hoy To Batav | Parul Rathva | D♭ Major | 10 | 3B | 140 BPM | ||
| Rupni Tari Jaho Jalali Timli | Parul Rathva | G Minor | 9 | 6A | 132 BPM | ||
| Tarpa Gavthi R3 | Sandip Davare | G Major | 8 | 9B | 156 BPM | ||
| Aavi Ne Tan Timli Ramadu | Jeliya Bhuriya | C Minor | 9 | 5A | 135 BPM | ||
| Nani Nani Shoriyo Salu Pt 2 | Rajesh Ninama | B♭ Major | 8 | 6B | 132 BPM | ||
| Janu Jode Fari Fari-Pithi Choline Thai Parki | Sandip Rathva Khatash | D♭ Major | 10 | 3B | 140 BPM | ||
| maja bed pe liyale | Rj Rahul Ramgarhya, Tarif Mewati | B Minor | 7 | 10A | 125 BPM | ||
| Koi Ne Prem Na Karay | Rakesh Raval | B♭ Minor | 9 | 3A | 112 BPM | ||
| Kalyug Me Prem Kari Thaki Gayo | Sandip Rathva Khatash | F♯ Major | 9 | 2B | 68 BPM |