"Cautionary Tale" by Chris Tilton had its release date on February 12, 2013. With This song being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "SimCity (EA Games Soundtrack)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Canada. Cautionary Tale is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Cautionary Tale by Chris Tilton having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Homeopathy | Epic Mountain | G Minor | 3 | 6A | 116 BPM | ||
| Lace and Collars | Chris Lennertz | A♭ Major | 3 | 4B | 124 BPM | ||
| I, Menevero | Stephen Rippy, Kevin McMullan | G Major | 2 | 9B | 88 BPM | ||
| Scruffy and Underfed | Stephen Rippy, Kevin McMullan | E Minor | 1 | 9A | 60 BPM | ||
| Cinder Skies | Jason Graves | E Minor | 4 | 9A | 130 BPM | ||
| Legendary Ascent | Stan LePard | A♭ Major | 2 | 4B | 95 BPM | ||
| TransX | Arnaud Roy | F Minor | 2 | 4A | 172 BPM | ||
| Pyrrhus of Epirus (Crawly) | Todd Masten | G Minor | 3 | 6A | 93 BPM | ||
| European Union | Epic Mountain | E Minor | 3 | 9A | 93 BPM | ||
| Every Ending Needs a Beginning | Tilman Sillescu | F♯ Minor | 6 | 11A | 132 BPM | ||
| The Tower | SIE Sound Team, Takeshi Furukawa | G Major | 1 | 9B | 68 BPM | ||
| Heisenberg's Entryway to Matrix Mechanics (Jim Croft mix) | Jim Guthrie, J.J. Ipsen | A Minor | 0 | 8A | 120 BPM | ||
| Stalking - Hold Your Breath | TADAYOSHI MAKINO | F Minor | 2 | 4A | 149 BPM | ||
| Standing Stones | Jessica Curry | G Minor | 1 | 6A | 96 BPM | ||
| Sailing on the Wind | Vincent Diamante | D♭ Major | 2 | 3B | 115 BPM | ||
| Queen of Roses: A Prick of Thorns | Russell Shaw | E♭ Major | 3 | 5B | 145 BPM | ||
| Sentinel II | SIE Sound Team, Takeshi Furukawa | G Major | 1 | 9B | 68 BPM | ||
| The Dark | David García Díaz | A Minor | 0 | 8A | 68 BPM | ||
| Frameshift & Starports: Frameshift Suite - Sixth Movement – Canes Venatici | Erasmus Talbot | A Minor | 6 | 8A | 128 BPM | ||
| Shadows in the Throne Room | Jim Guthrie, J.J. Ipsen | G Major | 0 | 9B | 165 BPM | ||
| Orphan | Sam Dillard | F Major | 2 | 7B | 140 BPM | ||
| Truth / Mal's Speech | David Newman | A Minor | 0 | 8A | 64 BPM | ||
| First Steps Into Sunken Glades | Gareth Coker | D Minor | 1 | 7A | 90 BPM | ||
| The Olmakhan | Maclaine Diemer | E♭ Major | 2 | 5B | 134 BPM | ||
| A Nice Place to Dig | Chris Lennertz | A Major | 3 | 11B | 128 BPM |