"Freedom / The Execution Bannockburn" by James Horner, London Symphony Orchestra had its release date on January 1, 1995. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 17 out of 18 in Braveheart (Original Motion Picture Soundtrack) by James Horner, The Choir Of Westminster Abbey, London Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Freedom / The Execution Bannockburn's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Freedom / The Execution Bannockburn by James Horner, London Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Immolation Scene | John Williams, London Symphony Orchestra | B Minor | 1 | 10A | 165 BPM | ||
| Prime | Steve Jablonsky, Lisbeth Scott | A♭ Major | 5 | 4B | 80 BPM | ||
| Solo en Casa / La Llegada de Papá | Fernando Velázquez | A♭ Major | 1 | 4B | 78 BPM | ||
| Reprise / Fly Away | John Ottman | E Minor | 3 | 9A | 64 BPM | ||
| Neverland - Piano Variation In Blue - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | C Major | 1 | 8B | 121 BPM | ||
| Leaving Port | James Horner | D Major | 2 | 10B | 70 BPM | ||
| The British Arrival | Trevor Jones | E Major | 1 | 12B | 61 BPM | ||
| End Credits (From "Cast Away") | Alan Silvestri, Brussels Philharmonic, Dirk Brossé | A♭ Major | 0 | 4B | 73 BPM | ||
| Sparta - Night One | Mark Isham | E Major | 5 | 12B | 135 BPM | ||
| The King of the Golden Hall | Howard Shore | E Minor | 1 | 9A | 139 BPM | ||
| I Can't Hear You | Rupert Gregson-Williams | E Minor | 1 | 9A | 136 BPM | ||
| Invictus Theme | Kyle Eastwood, Michael Stevens | A♭ Minor | 1 | 1A | 92 BPM | ||
| Main Title | Basil Poledouris | A Minor | 1 | 8A | 75 BPM | ||
| Main Titles (From "The Cider House Rules" Score) | Rachel Portman, John Lenehan, David Snell | G Major | 1 | 9B | 93 BPM | ||
| Dumbledore's Farewell | Nicholas Hooper | A Minor | 1 | 8A | 115 BPM | ||
| More | Mychael Danna | F Major | 1 | 7B | 150 BPM | ||
| Bridge At Lacrosse | Randy Edelman | A Major | 0 | 11B | 66 BPM | ||
| Love & the Rehearsal | Stephen Warbeck, Nick Ingman, Gavyn Wright | G Major | 1 | 9B | 89 BPM | ||
| Arrival to Earth | Steve Jablonsky | C Minor | 4 | 5A | 79 BPM | ||
| Robin Hood: Prince of Thieves | Cinematic Symphony Orchestra | F Major | 3 | 7B | 99 BPM | ||
| A Small Measure of Peace | Hans Zimmer | D Minor | 1 | 7A | 172 BPM | ||
| Main Title | Ramin Djawadi | F Minor | 6 | 4A | 170 BPM | ||
| All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 1 | 8B | 55 BPM | ||
| Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 82 BPM | ||
| The Riders of Rohan | Howard Shore | G Major | 3 | 9B | 171 BPM |