Arthur Sullivan, John Reed, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Sir Malcolm Sargent's 'Whene'er I spoke sarcastic joke' had a release date set for January 1, 2011. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Whene'er I spoke sarcastic joke's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company's "Gilbert & Sullivan Collection" album is number 3 out of 456. On top of that, United Kingdom appears to be the country where this track was created. Whene'er I spoke sarcastic joke is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Whene'er I spoke sarcastic joke by Arthur Sullivan, John Reed, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Sir Malcolm Sargent to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Emily — No Prisoner Be: No. 15, The Props assist the House | Kevin Puts, Time For Three, Joyce DiDonato | G Minor | 2 | 6A | 80 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Halt! Hokuspokus, Hexenschuss!" [The Nibblewitch, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | B♭ Major | 1 | 6B | 103 BPM | ||
| Rimsky-Korsakov: 4 Romances, Op. 3: No. 4, On the Hills of Georgia | Nikolai Rimsky-Korsakov, Boris Christoff, Alexandre Labinsky | D Minor | 1 | 7A | 82 BPM | ||
| Porgy And Bess: I Got Plenty o' Nuttin' | George Gershwin, Donnie Ray Albert, Wilma Shakesnider, Carol Brice, Houston Grand Opera Ensemble, Houston Grand Opera Orchestra, John DeMain, Houston Grand Opera | D Major | 2 | 10B | 163 BPM | ||
| Porgy And Bess: Summertime | George Gershwin, Betty Lane, Houston Grand Opera Women"s Ensemble, Houston Grand Opera Orchestra, John DeMain, Houston Grand Opera | E Minor | 1 | 9A | 109 BPM | ||
| The Mikado: Act One: Scene: "Young man, despair" | Gilbert & Sullivan, Arthur Sullivan, Ohio Light Opera, J. Lynn Thompson | C Major | 1 | 8B | 100 BPM | ||
| Gounod: Faust, Act 1: "Ah ! Paresseuse fille qui sommeille encor !" - Chœur des laboureurs. "Aux champs l'aurore nous rappelle" (Chœur, Faust) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Climbing over Rocky Mountain | The Pirates Of Penzance | B♭ Major | 3 | 6B | 121 BPM | ||
| Elijah, Op. 70, MWV A25 / Part 2: "But the Lord from the north hath raised one" | Felix Mendelssohn, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | G Major | 1 | 9B | 145 BPM | ||
| Myrthen, Op. 25: No. 1, Widmung | Felicity Lott, Graham Johnson | A♭ Major | 1 | 4B | 113 BPM | ||
| L'elisir d'amore / Act II: Introduzione - "Cantiamo, cantiam" - "Poichè cantarvi alletta" | Gaetano Donizetti, Metropolitan Opera Orchestra, James Levine | C Major | 4 | 8B | 108 BPM | ||
| La Cenerentola / Act 2: "Son qui" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Gloria Banditelli, Fernanda Costa, Enzo Dara, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E♭ Major | 1 | 5B | 122 BPM | ||
| La Boheme: Acto III: "Donde Lieta Usce" | Victoria de los Ángeles | D♭ Major | 1 | 3B | 98 BPM | ||
| HMS Pinafore (or, The Lass that Loved a Sailor), Act I: Refrain, audacious tar (Josephine, Ralph) | Arthur Sullivan, Elsie Morison/Richard Lewis/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra | F Major | 1 | 7B | 76 BPM | ||
| Lord Peter's Stable-Boy | Percy Grainger, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 78 BPM | ||
| 2. Iolanthe! From thy dark exile | Arthur Sullivan, Jennifer Toye, Pauline Wales, Gillian Knight, Yvonne Newman, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | E Major | 1 | 12B | 140 BPM | ||
| Lift up Your Heads | Harmonious Chorale Ghana | C Major | 2 | 8B | 107 BPM | ||
| Rossini: Petite messe solennelle: XI. Et resurrexit | Gioachino Rossini, Antonio Pappano, Alex Esposito, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Francesco Meli, Marina Rebeka, Sara Mingardo, Orchestra dell'Accademia Nazionale di Santa Cecilia | B♭ Minor | 1 | 3A | 85 BPM | ||
| L'elisir d'amore / Act II: "Saria possibile?" | Gaetano Donizetti, Metropolitan Opera Chorus, David Stivender, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | B Major | 0 | 1B | 119 BPM | ||
| 23. If you go in you're sure to win | Arthur Sullivan, Thomas Round, John Reed, Donald Adams, The New Symphony Orchestra Of London, Isidore Godfrey | E Major | 3 | 12B | 63 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 1 "Hotta! Himmel, die Mutter" [Stepmother, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | F Major | 1 | 7B | 102 BPM | ||
| Gounod: Roméo et Juliette, Act 1: Introduction. "L'heure s'envole" (Chœur) | Charles Gounod, Michel Plasson, Choeur Du Capitole De Toulouse, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
| Elijah, Op. 70, MWV A25 / Part 2: "And then shall your light break forth" | Felix Mendelssohn, Renée Fleming, Patricia Bardon, John Mark Ainsley, Neal Davies, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | B♭ Minor | 0 | 3A | 79 BPM | ||
| Puccini : La bohème : Act 2 "Quando me'n vo soletta" [Musetta, Marcello, Alcindoro, Mimì] | Giacomo Puccini, James Conlon, Orchestre National De France | E Major | 1 | 12B | 87 BPM | ||
| Hansel and Gretel: Evening Prayer | Engelbert Humperdinck, Jonathan Bradley, Michael Leighton Jones | D Major | 0 | 10B | 74 BPM |