"Five pieces for Two Violins and Piano: I. Prelude- Moderato" by Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw had its release date on July 15, 2007. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Five pieces for Two Violins and Piano: I. Prelude- Moderato's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Shostakovich: Chamber Music". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Netherlands. Five pieces for Two Violins and Piano: I. Prelude- Moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Five pieces for Two Violins and Piano: I. Prelude- Moderato by Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mendelssohn, Fanny: 6 Lieder, Op. 7, No. 2 Erwin | Fanny Mendelssohn, Maria Ioudenitch, Kenny Broberg | E♭ Major | 2 | 5B | 109 BPM | ||
| Concerto for Violin and Orchestra no.2 in D minor op.22: 2. Romance. Andante non troppo | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | B♭ Major | 1 | 6B | 90 BPM | ||
| Piano Concerto in F-Sharp Minor, Op. 20: II. Andante | Alexander Scriabin, Konstantin Scherbakov, Moscow Philharmonic Orchestra, Igor Golovschin | E♭ Major | 0 | 5B | 81 BPM | ||
| Piano Quintet in C Minor: I. Andante | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Minor | 1 | 5A | 68 BPM | ||
| Serenade for Strings | Vasily Kalinnikov, Metamorphose String Orchestra, Pavel Lyubomudrov | C Minor | 2 | 5A | 65 BPM | ||
| Adagio pour quatuor d'orchestre | Guillaume Lekeu, Amsterdam Sinfonietta, Candida Thompson | A♭ Major | 0 | 4B | 75 BPM | ||
| Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
| 3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
| Five pieces for Two Violins and Piano: II. Gavotte- Tranquillo, molto leggiero | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | F Minor | 3 | 4A | 172 BPM | ||
| Shostakovich: Piano Quintet in G Minor, Op. 57: IV. Intermezzo. Lento | Dmitri Shostakovich, Borodin Quartet, Elisabeth Leonskaja | G Major | 1 | 9B | 90 BPM | ||
| Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
| Serenade in E Minor, Op. 20: I. Allegro piacevole | Edward Elgar, Wales Camerata, Owain Arwel Hughes | E Minor | 0 | 9A | 76 BPM | ||
| Five Pieces For Two Violins and Piano: I. Prelude | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Major | 0 | 9B | 85 BPM | ||
| Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
| Piano Trio in D Minor, Op. 11: III. Lied. Allegretto | Fanny Mendelssohn, Trio Chausson | D Major | 1 | 10B | 79 BPM | ||
| Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
| Deux mélodies hébraïques, M. A22: I. Kaddisch (Transcr. by Richard Tognetti for Cello and Orchestra ) | Maurice Ravel, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | C Minor | 1 | 5A | 82 BPM | ||
| String Quartet No.2 in D Major | Alexander Borodin, Borodin Quartet | A Major | 1 | 11B | 90 BPM | ||
| The Lark Ascending: I. Andante sostenuto | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | E Minor | 0 | 9A | 91 BPM | ||
| Concerto in C Minor: I. Introduzione - Larghetto | Domenico Cimarosa, John Anderson, Simon Wright, Philharmonia Orchestra | C Minor | 1 | 5A | 126 BPM | ||
| Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM | ||
| Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | ||
| String Quartet No. 8 in C Minor, Op. 110: I. Largo | Dmitri Shostakovich, Borodin Quartet | C Minor | 1 | 5A | 114 BPM | ||
| Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": IV. Largo. Goin' Home (Arr. Koncz For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 94 BPM | ||
| Rachmaninov: Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Leif Ove Andsnes, Antonio Pappano, Berliner Philharmoniker | C Minor | 1 | 5A | 77 BPM |