"Towards The Dark And Cold" by Svartsinn had its release date on 2003. This song appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "Of Darkness And Re-Creation". In this album, this song's track order is #4. Based on our statistics, Towards The Dark And Cold's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Towards The Dark And Cold by Svartsinn having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lifeline | Desiderii Marginis | E Minor | 4 | 9A | 123 BPM | ||
| Hallway | Ben Prunty | E♭ Major | 1 | 5B | 121 BPM | ||
| Vocerah | Treha Sektori | A Major | 1 | 11B | 77 BPM | ||
| Chalice of Eternity | Metatron Omega | E Minor | 2 | 9A | 127 BPM | ||
| Templum | Scorpio V | F Major | 1 | 7B | 72 BPM | ||
| Provenience | Kammarheit | E Minor | 3 | 9A | 67 BPM | ||
| Laiarne | Redkattseven | F Major | 4 | 7B | 64 BPM | ||
| The Oblivious Faces | Svartsinn | F Major | 2 | 7B | 139 BPM | ||
| Come in the Whisper | Phonothek | G Major | 1 | 9B | 66 BPM | ||
| That Which Was Lost | Sinke Dûs | E♭ Minor | 3 | 2A | 76 BPM | ||
| Through the Gates of Death | Inade | B♭ Major | 4 | 6B | 127 BPM | ||
| Railroom | Cities Last Broadcast | D♭ Major | 5 | 3B | 134 BPM | ||
| Ciudad Oculta | Juan Ibarlucia | F Major | 3 | 7B | 90 BPM | ||
| Menace | Erebos | E Minor | 0 | 9A | 81 BPM | ||
| hazy | Giorgi ジオ | B♭ Minor | 3 | 3A | 84 BPM | ||
| How It All Ended | Hoshin | F Minor | 7 | 4A | 68 BPM | ||
| Gates of Atlantis | Phelios | D♭ Major | 6 | 3B | 98 BPM | ||
| The Ghost That Dwells Within | God Body Disconnect | A Minor | 2 | 8A | 72 BPM | ||
| The Coming of the Black Legions | Inade | D Major | 1 | 10B | 106 BPM | ||
| Reaching Desolation | Svartsinn | A♭ Major | 4 | 4B | 59 BPM | ||
| Still Waters | Northumbria | F Minor | 2 | 4A | 86 BPM | ||
| Pulsar | Silent Universe | A Minor | 2 | 8A | 134 BPM | ||
| Late Night at the Last Resort | Beyond the Ghost | C Minor | 2 | 5A | 83 BPM | ||
| Tenebrarius | Dimitri De Alencar | D♭ Minor | 1 | 12A | 69 BPM | ||
| Dog Star Descends | Lustmord | D Major | 1 | 10B | 80 BPM |