김차규's ' "THE THIRD MAN" was released on its scheduled release date, November 1, 2015. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. THE THIRD MAN's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 칸소네 샹송 스텐더드 2집, so we believe that "THE THIRD MAN" is a single. THE THIRD MAN is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of THE THIRD MAN by 김차규 is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Digital Dreamscape | Robert Thomas White | A Minor | 4 | 8A | 132 BPM | ||
| Walz | Henri Seroka | C Major | 2 | 8B | 112 BPM | ||
| Dolce Maria | Rubert Gefi, Ferenc Aszodi | F Major | 8 | 7B | 100 BPM | ||
| That's the Way I Always Heard It Should Be | John Fox | C Minor | 2 | 5A | 132 BPM | ||
| A Través de los Años (As Time Goes By) | Sounds Unlimited Orchestra & The London Philarmonic Orchestra | D Minor | 3 | 7A | 79 BPM | ||
| 魅惑の宵~映画「南太平洋」より | フィルム・スタジオ・オーケストラ | E Major | 2 | 12B | 91 BPM | ||
| Eternity (Main Theme from Movie "la Hiena") | Rafael Ferro | G Major | 3 | 9B | 91 BPM | ||
| 愛をもう一度 | RAYMOND LEFEVRE ET SON GRAND ORCHESTRE | C Major | 4 | 8B | 114 BPM | ||
| Is Tenderness Is Illness | 김차규 | A Minor | 3 | 8A | 122 BPM | ||
| Gigi - De la pelicula "Gigi" | The Hollywood Mood Orchestra | F Minor | 8 | 4A | 116 BPM | ||
| 鉄道員 | クロード・チアリ | A Minor | 2 | 8A | 115 BPM | ||
| Perlenfischer | Alfred Hause | A Minor | 4 | 8A | 118 BPM | ||
| Delicado / Brasil | George kroy | G Major | 8 | 9B | 124 BPM | ||
| Energía en Bucle | SonderRs | C Major | 5 | 8B | 113 BPM | ||
| Il padrino | Johnny Cartersax | B♭ Minor | 3 | 3A | 141 BPM | ||
| You Are the Sunshine of My Life | Manuel & The Music Of The Mountains | A Major | 4 | 11B | 123 BPM | ||
| Die Wut Über Den Verlorenen Groschen (Rondo Alla Ingharese Quasi Un Capriccio Op.129) | Ricci Ferra | G Major | 4 | 9B | 105 BPM | ||
| 風淒淒雨綿綿 | 劉清池 | A Minor | 5 | 8A | 122 BPM | ||
| That's Amore | The British Ballroom Players | A Major | 5 | 11B | 82 BPM | ||
| Valses en robes de bal / Waltzes in evening gowns | Richard Abel | E♭ Major | 3 | 5B | 162 BPM | ||
| 河は呼んでいる | フィルム・スタジオ・オーケストラ | C Major | 1 | 8B | 119 BPM | ||
| The Key (1962 single A side) | Ken Dodd | E♭ Major | 4 | 5B | 97 BPM | ||
| Tahiti Drink - From "La Dernière femme / La Ultima donna" Original Soundtrack | Hubert Rostaing, Philippe Sarde | E Major | 4 | 12B | 117 BPM | ||
| People | Johnny Pearson and His Orchestra | E♭ Major | 1 | 5B | 86 BPM | ||
| Otoño Sin Ti | Victor Daniel | C Major | 2 | 8B | 74 BPM |