Lucille Bogan's ' "I Hate That Train Called The M And O" was released on its scheduled release date, 1993. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Lucille Bogan's "Lucille Bogan (Bessie Jackson) Vol. 3 (1934-1935)" album is number 6 out of 23. Based on our statistics, I Hate That Train Called The M And O's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of I Hate That Train Called The M And O by Lucille Bogan to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Standing In My Doorway Crying | Jessie Mae Hemphill | D Major | 1 | 10B | 73 BPM | ||
| How Long | C.W. Stoneking | D Major | 3 | 10B | 143 BPM | ||
| Way Down In The Hole - 2023 Remaster | Tom Waits | F♯ Minor | 1 | 11A | 85 BPM | ||
| Shake It and Break It (But Don't Let It Fall Mama) | Charley Patton | B Major | 2 | 1B | 145 BPM | ||
| Aberdeen Mississippi Blues | Bukka White | A♭ Major | 2 | 4B | 105 BPM | ||
| Jim Tampa Blues | Lucille Bogan | A Major | 4 | 11B | 110 BPM | ||
| Cherry Ball Blues | Skip James | G Major | 2 | 9B | 102 BPM | ||
| Evil (Is Going On) | Howlin' Wolf | C Major | 3 | 8B | 160 BPM | ||
| Me and the Devil Blues | Robert Johnson | B Major | 1 | 1B | 82 BPM | ||
| Dark Was the Night, Cold Was the Ground | Blind Willie Johnson | A Major | 0 | 11B | 116 BPM | ||
| Fishing Blues | Henry Thomas | B Major | 2 | 1B | 145 BPM | ||
| Rag, Mama, Rag | Blind Boy Fuller | G Major | 4 | 9B | 117 BPM | ||
| Saturday Night Fish Fry, Pts. 1 & 2 | Louis Jordan | F Minor | 5 | 4A | 175 BPM | ||
| Papa's on the House Top | Leroy Carr | B Major | 2 | 1B | 145 BPM | ||
| Trying to Make It Home | Robert Johnson | D Major | 3 | 10B | 74 BPM | ||
| Dope Head Blues | Victoria Spivey | C Major | 2 | 8B | 80 BPM | ||
| Put It Right Here (Or Keep It Out There) | Bessie Smith | D♭ Major | 1 | 3B | 93 BPM | ||
| Here Comes the Man with the Jive | Stuff Smith | B Major | 2 | 1B | 145 BPM | ||
| That's No Way to Get Along - Alternate Take | Robert Wilkins | B Major | 2 | 1B | 145 BPM | ||
| Cross Road Blues - Take 2 | Robert Johnson | E Major | 2 | 12B | 102 BPM | ||
| I Got A Razor | Willie Dixon, Memphis Slim | B Minor | 1 | 10A | 83 BPM | ||
| Slave To The Blues | Ma Rainey | F Major | 1 | 7B | 79 BPM | ||
| Pearline | Son House | A Major | 3 | 11B | 80 BPM | ||
| Travelin' Blues | Blind Willie McTell | D Major | 1 | 10B | 135 BPM | ||
| Junker's Blues | Champion Jack Dupree | F Major | 2 | 7B | 103 BPM |