OSI's ' "Hello, Helicopter!" was released on its scheduled release date, 2003. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Office of Strategic Influence". In this album, this song's track order is #6. In terms of popularity, Hello, Helicopter! is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Hello, Helicopter! by OSI having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Horseshoes and B-52's | OSI | B Major | 7 | 1B | 95 BPM | ||
| Timeless | Textures | B Major | 10 | 1B | 93 BPM | ||
| All That's Left | Spock's Beard | D Minor | 7 | 7A | 144 BPM | ||
| Bullitts Dominae | Pure Reason Revolution | F Minor | 9 | 4A | 109 BPM | ||
| America The Video | Chroma Key | C Major | 9 | 8B | 143 BPM | ||
| Paper Champion | Oceansize | A♭ Major | 8 | 4B | 142 BPM | ||
| Tidal | Sieges Even | A Major | 7 | 11B | 136 BPM | ||
| The War Is Over | Anekdoten | G Major | 7 | 9B | 137 BPM | ||
| Bigger Wave | OSI | C Minor | 8 | 5A | 98 BPM | ||
| Salt | Leprous | F Major | 6 | 7B | 84 BPM | ||
| Day and Age | Frost* | A♭ Major | 8 | 4B | 170 BPM | ||
| Surreal | Amarok | A Major | 5 | 11B | 115 BPM | ||
| Into The Great Nothing | Wolverine | G Minor | 7 | 6A | 101 BPM | ||
| Pane of Truth | Sylvan | B♭ Minor | 5 | 3A | 118 BPM | ||
| Lunar | Chroma Key | F Minor | 6 | 4A | 92 BPM | ||
| Never Escape the Storm | Blind Ego | D Major | 6 | 10B | 120 BPM | ||
| Terminal (Endless) | OSI | F Minor | 6 | 4A | 120 BPM | ||
| Going To Pieces | The Mayan Factor | D Major | 8 | 10B | 102 BPM | ||
| Olm 053 | Lucid Planet | C Major | 5 | 8B | 120 BPM | ||
| Raining Hard in Heaven | Pattern-Seeking Animals | F Major | 6 | 7B | 114 BPM | ||
| Go | OSI | D Major | 7 | 10B | 164 BPM | ||
| Sleepy Town | Wolverine | A♭ Major | 8 | 4B | 168 BPM | ||
| Ornament/The Last Wrongs | Oceansize | F Major | 3 | 7B | 179 BPM | ||
| Graveyard Mountain Home | Chroma Key | A♭ Major | 4 | 4B | 94 BPM | ||
| Home Was Good | OSI | C Minor | 3 | 5A | 110 BPM |