Giuseppe Concone, Xavier Palacios's ' "50 Lessons, No. 13 in A-Flat Major, Op. 9 (Melody Added)" was released on its scheduled release date, September 29, 2014. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. 50 Lessons, No. 13 in A-Flat Major, Op. 9 (Melody Added)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 25 in Concone 50 Lessons Op. 9, Pt. I (1-25) Accompaniments With Melody Added. for High Voice by Giuseppe Concone, Xavier Palacios. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of 50 Lessons, No. 13 in A-Flat Major, Op. 9 (Melody Added) is currently not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of 50 Lessons, No. 13 in A-Flat Major, Op. 9 (Melody Added) by Giuseppe Concone, Xavier Palacios is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pruef Mich Mein Gott | Markus Friesen | A♭ Major | 1 | 4B | 94 BPM | ||
| Plié 6/4 (Op. 9 n°1 Nocturne in B♭ min) | The Ballet Pianist | A Major | 0 | 11B | 188 BPM | ||
| Nuclear Threat | Mariana Ghiaccio | C Major | 0 | 8B | 67 BPM | ||
| ウォームアップ ~私を泣かせてください~ - 3/4 8×8 | 滝澤 志野 | D♭ Major | 2 | 3B | 81 BPM | ||
| Quota Visa | Martino Giuliano | E Minor | 0 | 9A | 125 BPM | ||
| Saldi Estivi | Pino Moravia | C Minor | 0 | 5A | 91 BPM | ||
| Memories | Michael Monty | C Major | 0 | 8B | 80 BPM | ||
| 50 Lessons, No. 3 in E-Flat Major, Op. 9 (Melody Added) | Giuseppe Concone, Xavier Palacios | E♭ Major | 1 | 5B | 160 BPM | ||
| Nocturne in E-Flat Major | Mikhail Glinka, Vadim Chaimovich | E♭ Major | 1 | 5B | 83 BPM | ||
| Reminiscence | Chan Wei Tuck | F Major | 1 | 7B | 75 BPM | ||
| コンコーネ 50番: 35番 Moderato | Giuseppe Concone, 嶺貞子, 勝郁子 | E Minor | 1 | 9A | 69 BPM | ||
| Nè Rispondi D'un Padre All'affetto? ... No, Non Udrai Rimproveri | Songs of Birdland, Mu Dimon | B♭ Major | 2 | 6B | 68 BPM | ||
| Breakfast at Mall | Druso Belli | E♭ Major | 1 | 5B | 132 BPM | ||
| On the Path | Bruce Oscar | E♭ Major | 0 | 5B | 73 BPM | ||
| Essenza da Pace | Veronika Di Sante | D♭ Major | 5 | 3B | 170 BPM | ||
| スカーフアダージョ~海賊 (Adage) | Miwa Hoshi | G Major | 2 | 9B | 107 BPM | ||
| Autumn Shadow | Victor Birkan | F Minor | 1 | 4A | 88 BPM | ||
| カヴァレリア・ルスティカーナ (Adage1) | Miwa Hoshi | F Major | 2 | 7B | 80 BPM | ||
| Adagio Giselle | Sissonne Music | A♭ Major | 0 | 4B | 63 BPM | ||
| Chaos Of Life | Jochen Schlierkamp | A Minor | 1 | 8A | 119 BPM | ||
| Terminale | Giosi Roma | D Major | 2 | 10B | 80 BPM | ||
| Maranitana | Pino Moravia | A Minor | 1 | 8A | 113 BPM | ||
| Romeo and Juliet (Battements Tendus1) | Miwa Hoshi | F♯ Minor | 2 | 11A | 80 BPM | ||
| Cousins Reunion | Samantha Penn | B Minor | 1 | 10A | 123 BPM | ||
| Serenade Finalé (Frappé) | Trisha Wolf | A♭ Major | 2 | 4B | 100 BPM |