Rodion Shchedrin, Slava Grigoryan's 'Ala Albeniz' had a release date set for September 1, 2000. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Slava Grigoryan's "Live In Recital" album is number 9 out of 15. On top of that, Australia appears to be the country where this track was created. Based on our statistics, Ala Albeniz's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Ala Albeniz by Rodion Shchedrin, Slava Grigoryan to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Carmen Suite: VIII. Bolero (after G. Bizet): Adagio | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 79 BPM | ||
| Carmen-Suite: II. Dance | Georges Bizet, Rodion Shchedrin, Erik Satie, Stuttgart Chamber Orchestra, Dennis Russel Davies | D Minor | 2 | 7A | 118 BPM | ||
| La Bayadère / Act 1: No.14 Molto moderato | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | A Minor | 1 | 8A | 86 BPM | ||
| Le Corsaire, Pas de deux: IV. Coda (Arr. J. Lanchberry) | Riccardo Drigo, Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov | B♭ Major | 3 | 6B | 137 BPM | ||
| Petrushka: Danse Russe | Robert Groslot, Belgian Radio and Television Philharmonic Orchestra, Igor Stravinsky | D Minor | 5 | 7A | 80 BPM | ||
| Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
| 8 Slavonic Dances, Op. 72, B. 147: No. 2 in E Minor (Allegretto grazioso) | Antonín Dvořák, Budapest Festival Orchestra, Iván Fischer | B♭ Major | 1 | 6B | 60 BPM | ||
| La Sylphide: Act II: Forest Scene: James and the Sylphide | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | B♭ Major | 0 | 6B | 120 BPM | ||
| The Boulevardier | Frederic Curzon, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 98 BPM | ||
| Cinderella, Op. 87: Act I: No. 19. Cinderella's Departure for the Ball | Sergei Prokofiev, Gennady Rozhdestvensky, Moscow RTV Symphony Orchestra | D♭ Major | 0 | 3B | 60 BPM | ||
| Carmen-Suite: X. Torero and Carmen | Rodion Shchedrin, Georges Bizet, Vladimir Spivakov, Moscow Virtuosi, State Chamber Ensemble of Armenia, Bolshoi Theatre Percussion Ensemble | C Minor | 0 | 5A | 80 BPM | ||
| La bayadère: Andantino | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 2 | 11B | 140 BPM | ||
| Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM | ||
| Don Quixote: Act I: Quiteria (Kitri) enters | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Major | 0 | 9B | 172 BPM | ||
| VI. Waltz No. 1 | Dmitri Shostakovich, Singapore Symphony Orchestra, Andrew Litton | A♭ Major | 1 | 4B | 70 BPM | ||
| Paquita: Coda. Allegro con fuoco | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 2 | 11B | 140 BPM | ||
| Raymonda, Op. 57: Act I - Pizzicato | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Major | 0 | 10B | 104 BPM | ||
| Cipollino, Act II Scene 3: Scene with Flowers | Karen Khachaturian, Alexander Kopylov, Bolshoi Theatre Orchestra | A Major | 1 | 11B | 103 BPM | ||
| Raymonda, Act III: Grand Pas de Deux, Pas Classique Hongrois | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | F Minor | 0 | 4A | 82 BPM | ||
| Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
| Quadrille No. 1 in F Minor | Michał Kleofas Ogiński, Belarus Chamber Orchestra of the National Academic Concert Orchestra of Belarus | G Major | 6 | 9B | 131 BPM | ||
| I. Cinderella's Dreams | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | C Major | 1 | 8B | 82 BPM | ||
| Raymonda, Act I: Grand Valse | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Major | 1 | 10B | 179 BPM | ||
| Emperor Waltz Op. 437 | Johann Strauss II, Hallé, Bryden Thomson | C Major | 0 | 8B | 186 BPM | ||
| Vienna Blood - Waltz Op. 354 | Johann Strauss II, Hallé, Bryden Thomson | C Major | 0 | 8B | 178 BPM |