"Missa Rigensis: IIIc. Crucifixus" by Uģis Prauliņš, Stephen Layton, The Choir Of Trinity College, Cambridge had its release date on February 1, 2010. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 17 in Baltic Exchange: Prauliņš - Missa Rigensis and Other Choral Works by The Choir Of Trinity College, Cambridge, Stephen Layton. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Missa Rigensis: IIIc. Crucifixus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Missa Rigensis: IIIc. Crucifixus by Uģis Prauliņš, Stephen Layton, The Choir Of Trinity College, Cambridge is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| C'est par amour | Thibault Fromant, Ad Dei Gloriam | D Minor | 1 | 7A | 115 BPM | ||
| Teach Me Thy Way, O Lord | Laudate Mennonite Ensemble | D Major | 1 | 10B | 72 BPM | ||
| Pieśń o Najświętszej Pannie | Urszula Rogala, Dominikański Ośrodek Liturgiczny, Dorota Dąbrowska | F Major | 2 | 7B | 169 BPM | ||
| Crucifixus | Antonio Lotti, Jugendchor Osnabrück, Johannes Rahe | D♭ Minor | 0 | 12A | 78 BPM | ||
| Motetti per concerti ecclesiastici: No. 8, Quem vidistis pastores | Giovanni Bassano, Il Pomo D'oro, Giuseppe Maletto | G Minor | 1 | 6A | 100 BPM | ||
| Aģjoug | ANIMA Saulkrasti mixed choir, Uģis Prauliņš | E Minor | 2 | 9A | 75 BPM | ||
| Mass for Double Choir: Credo | Frank Martin, Mikaeli Chamber Choir, Anders Eby | G Major | 0 | 9B | 130 BPM | ||
| Missa Regensis : I. Kyrie eleison | Uģis Prauliņš, Ensemble ArtChoral, Matthias Maute | G Minor | 1 | 6A | 67 BPM | ||
| Son of God Mass: Amen | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | C Major | 2 | 8B | 72 BPM | ||
| Holy Spirit Mass: The Spirit's Work: Come | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | F Minor | 1 | 4A | 127 BPM | ||
| Via Radiantis Aeternitatis | Schola Gregoriana Del Coro F. Paer, Schola of the Hofburgkapelle, Vienna, The Monks of Pluscarden Abbey | E♭ Major | 1 | 5B | 100 BPM | ||
| St. John Passion, Part I: Sing, My Tongue, the Glorious Battle | Bob Chilcott, Laurie Ashworth, Ed Lyon, Darren Jeffrey, Neal Davies, Nick Baron, Chaconne Brass, Wells Cathedral Choir, Matthew Owens | C Minor | 4 | 5A | 163 BPM | ||
| Lvovsky\'s Cherubic Hymn (English) | St. Innocent's Academy | G Major | 2 | 9B | 138 BPM | ||
| Da pacem, Domine | Chloe May Evans, Ǣfendrēama | D♭ Major | 1 | 3B | 104 BPM | ||
| Jam conclamamus | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | B♭ Major | 3 | 6B | 97 BPM | ||
| The Bells – A Collaboration | Klaudia Rabiega, Chór Mieszany Katedry Wawelskiej, Andrzej Korzeniowski, Monika Płachta | A♭ Minor | 1 | 1A | 112 BPM | ||
| Shakespeare Songs, Book 3: IV. O mistress mine! | Matthew Harris, Phoenix Bach Choir, Charles Bruffy, Robert Comeaux | E♭ Major | 1 | 5B | 127 BPM | ||
| Osculetur me: I. Osculetur me osculo oris sui | Pierre de Manchicourt, El León de Oro, Peter Phillips | C Minor | 2 | 5A | 134 BPM | ||
| Evensong Mvt. 1 | Evan Byler, Rachael Lofgren, Cantate Domino, Seth Bergey | E♭ Major | 1 | 5B | 135 BPM | ||
| Memory Eternal, Op. 9 No. 15 | Pavel Chesnokov, PaTRAM Institute Singers, Peter Jermihov, Alexis Lukianov | A Major | 4 | 11B | 136 BPM | ||
| Sisask : Gloria Patri... 24 Hymns for Mixed Choir : VII Deo gratias | Urmas Sisask, The Chamber Choir Eesti Projekt, Anne-Liis Treimann | D Major | 0 | 10B | 83 BPM | ||
| All Is Miracle | Kyle Pederson, Transept, Timothy J. Campbell, Savannah Porter, Clara Osowski, Paul Sánchez | D♭ Major | 1 | 3B | 80 BPM | ||
| Missa Rigensis: I. Kyrie eleison | Uģis Prauliņš, Irene Messoloras, Meridian | G Minor | 1 | 6A | 135 BPM | ||
| Passion Week, Op. 58: II. I See Thy Bridal Chamber | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | A♭ Minor | 1 | 1A | 71 BPM | ||
| Preisung CXLVIII | Sjaella | A Minor | 1 | 8A | 137 BPM |