Jean-Philippe Rameau, Cantillation, Orchestra of the Antipodes, Antony Walker's ' "Castor et Pollux, Act I, RCT 32 (1754 Version): Chantons, chantons l'éclatante victoire [Live]" was released on its scheduled release date, July 1, 2015. With This song being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 54 in the song's album "Rameau: Castor et Pollux (Live)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Australia. In terms of popularity, Castor et Pollux, Act I, RCT 32 (1754 Version): Chantons, chantons l'éclatante victoire [Live] is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Castor et Pollux, Act I, RCT 32 (1754 Version): Chantons, chantons l'éclatante victoire [Live] by Jean-Philippe Rameau, Cantillation, Orchestra of the Antipodes, Antony Walker having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Keyboard Sonata in B Minor, Kk. 87 | Domenico Scarlatti, Julius Asal | B Minor | 0 | 10A | 69 BPM | ||
| The Hebrides, Op. 26: Allegro moderato | Felix Mendelssohn, Leipziger Streichquartett | B Minor | 1 | 10A | 114 BPM | ||
| Sonata in B Minor, K.27: Allegro | Domenico Scarlatti, Daria van den Bercken | D Major | 1 | 10B | 130 BPM | ||
| Symphony in C Major, W. I/6: I. Allegro di molto | Johann Christoph Friedrich Bach, Leipziger Kammerorchester, Morten Schuldt-Jensen | C Major | 1 | 8B | 75 BPM | ||
| Concerto for 2 Violins in D Minor, Op. 6, No. 10: I. Adagio | Giuseppe Torelli, Berliner Barock Compagney | F♯ Major | 2 | 2B | 103 BPM | ||
| Nocturnes, Op. 55: No. 1 in F Minor. Andante | Frédéric Chopin, Jan Lisiecki | F Minor | 0 | 4A | 71 BPM | ||
| Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": I. Sonatina | Johann Sebastian Bach, Márta Kurtág, György Kurtág | F Major | 3 | 7B | 102 BPM | ||
| Rameau: Les Indes galantes, Quatrième entrée "Les sauvages": "Forêts paisibles" (Zima, Adario, Sauvages) | Jean-Philippe Rameau, Sabine Devieilhe, Aimery Lefèvre, Le Jeune Choeur de Paris, Alexis Kossenko, Les Ambassadeurs | F♯ Minor | 3 | 11A | 85 BPM | ||
| Suite Les Indes Galantes / Les Sauvages: 21. Air pour les sauvages | Jean-Philippe Rameau, Orchestra Of The 18th Century, Frans Brüggen | F Minor | 4 | 4A | 102 BPM | ||
| Trio Sonata in G Major, HWV 399, Op. 5 No. 4: III. Passacaille (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F♯ Major | 0 | 2B | 174 BPM | ||
| Introduttione II in F Major, Op. 4 No. 2: II. Andante | Pietro Locatelli, Fabio Biondi, Europa Galante | A♭ Major | 1 | 4B | 123 BPM | ||
| Bach, JS: Concerto for 4 Pianos in A Minor, BWV 1065: I. Allegro | Johann Sebastian Bach, David Fray, Audrey Vigoureux, Emmanuel Christien, Jacques Rouvier, Orchestre National Du Capitole De Toulouse | A Minor | 3 | 8A | 108 BPM | ||
| Les Pleurs (Mr. de Sainte Colombe, version viole seule de Jordi Savall) | Monsieur de Sainte-Colombe, Jordi Savall | D♭ Minor | 0 | 12A | 102 BPM | ||
| Adagio in F, H.XVII No. 9 | Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
| 27 Pieces for Viola da gamba: Prelude, WKO 205 | Carl Friedrich Abel, Petr Wagner | D♭ Minor | 1 | 12A | 98 BPM | ||
| Les Boréades / Act IV: Entrée de Polymnie - Live | Jean-Philippe Rameau, Les Musiciens du Louvre, Marc Minkowski | G Major | 1 | 9B | 94 BPM | ||
| Sonata in E Major, K. 380 | Domenico Scarlatti, Khatia Buniatishvili | B Major | 0 | 1B | 84 BPM | ||
| Montero: Beyond Bach: | Gabriela Montero | D Minor | 0 | 7A | 78 BPM | ||
| Les indes galantes / Nouvelle Entrée: Les Sauvages Scène 6: Danse du Grand Calumet de la Paix (Rondeau) - Forêts paisibles | Jean-Philippe Rameau, Patricia Petibon, Kevin Greenlaw, La Cetra Barockorchester Basel, Andrea Marcon, La Cetra Vocalensemble Basel | F♯ Minor | 3 | 11A | 87 BPM | ||
| Keyboard Sonata in F Minor, Kk. 466 | Julius Asal, Domenico Scarlatti | B Minor | 0 | 10A | 69 BPM | ||
| Melody from « Orfeo » | Christoph Willibald Gluck, Roberto Giordano | G Minor | 2 | 6A | 115 BPM | ||
| Rameau: Pièces de clavecin (1724), Suite in D Major, RCT 3: No. 1 Les Tendres Plaintes - Rondeau | Jean-Philippe Rameau, Jean Rondeau | C Minor | 3 | 5A | 87 BPM | ||
| Child Falling Asleep, Op. 15 No. 12 (Arr. W. Newell for String Quartet) | Robert Schumann, Solem Quartet | G Major | 1 | 9B | 74 BPM | ||
| Concerto Grosso in D Minor, H. 143 "La Folia" (after Corelli Violin Sonata, Op. 5 No. 12): Theme & Var. I - VII | Francesco Geminiani, Nicola Benedetti, Benedetti Baroque Orchestra | D♭ Minor | 3 | 12A | 147 BPM | ||
| Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 1 | 7B | 71 BPM |