"無伴奏チェロ組曲 第1番 (サクソフォン編) Ⅵ. Gigue" by J.S. バッハ, 栃尾克樹(バリトン・サックス) had its release date on July 25, 2007. The duration of This song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. 無伴奏チェロ組曲 第1番 (サクソフォン編) Ⅵ. Gigue's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 影の庭, so we believe that "無伴奏チェロ組曲 第1番 (サクソフォン編) Ⅵ. Gigue" is a single. 無伴奏チェロ組曲 第1番 (サクソフォン編) Ⅵ. Gigue is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 無伴奏チェロ組曲 第1番 (サクソフォン編) Ⅵ. Gigue by J.S. バッハ, 栃尾克樹(バリトン・サックス) is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oboe Concerto in G Minor: Allegro | Giovanni Benedetto Platti, Anthony Camden, City of London Sinfonia, Nicholas Ward | G Minor | 2 | 6A | 104 BPM | ||
| St. Matthew Passion, Bwv 244: Pt. I: Kommt, ihr Tochter, helft mir klagen (Chorus) | Johann Sebastian Bach, Christoph Prégardien, Klaus Mertens, Monika Frimmer, Veronika Winter, Lena Susanne Norin, Wilfried Jochens, Hans-Georg Wimmer, Rheinische Kantorei, Das Kleine Konzert, Hermann Max | D Major | 2 | 10B | 75 BPM | ||
| Savior of the Nations, Come, BWV 659 (Arr. for 4 Cellos) | Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
| Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
| Fugue in G minor, "little", BWV 578 | Bernard Lagacé | G Minor | 0 | 6A | 64 BPM | ||
| Suite in G Major, RCT 6: No. 14, Les sauvages - Arr. for Solo Cello - Nouvelles suites de pièces de clavecin | Jean-Philippe Rameau, Christian-Pierre La Marca | F♯ Minor | 3 | 11A | 85 BPM | ||
| Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
| Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
| Lieder ohne Worte, Op. 19b: Lieder ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" [Venetian Gondola Song] | Felix Mendelssohn, Péter Nagy | G Major | 0 | 9B | 101 BPM | ||
| Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
| Flute Concerto in G Minor, Op. 10/2, RV 439 "La notte": V. Il sonno. Largo – VI. Allegro | Antonio Vivaldi, Andreas Blau, Berliner Philharmoniker, Herbert von Karajan | B Major | 0 | 1B | 89 BPM | ||
| Trio Sonata for 2 Violins and Continuo in G Minor, HWV 393 "Dresden" No. 2: III. Largo (Arr. for Oboe, Violin, Harpsichord and Orchestra by Andreas Tarkmann) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | B♭ Major | 2 | 6B | 143 BPM | ||
| Piano Concerto No. 23 in A Major, K. 488: II. Adagio | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | F♯ Minor | 0 | 11A | 108 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 132 BPM | ||
| Chromatic Fantasia And Fugue In D Minor, BWV 903 : Fugue | Janos Sebestyen, Johann Sebastian Bach | D Minor | 3 | 7A | 88 BPM | ||
| Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
| Oboe Concerto in D Minor, S. Z799: III. Presto | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 3 | 12A | 70 BPM | ||
| Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
| Bach / Busoni: Toccatas and Fugues, BV B29: No. 2, Toccata and Fugue in D Minor: Fugue (After Bach's BWV 565) | Ferruccio Busoni, Johann Sebastian Bach, Maria Tipo | F♯ Major | 0 | 2B | 85 BPM | ||
| Sicilienne, Op. 78 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | G Minor | 1 | 6A | 123 BPM | ||
| Goldberg Variations (‘Air with Thirty Variations’), BWV 988: XI. Andante con grazia [ossia] | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | E Minor | 0 | 9A | 75 BPM | ||
| 6 Consolations, S. 172: No. 3 in D-Flat Major (Lento, placido) | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 69 BPM | ||
| Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 3, Choral. "Herzliebster Jesu, was hast du verbrochen" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Concentus Musicus Wien | B Major | 2 | 1B | 128 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851 | Daniel Barenboim | D Minor | 1 | 7A | 129 BPM |