On 1992, the song "Geega Ghari Ka So Ja" was released by Rajendra Jain, Rashmi, Pushpa. This song is about six minutes long, preciously at 6:17, making this song fairly long compared to other songs. The track order of this song in Rajendra Jain's "Jaapa Ke Geet" album is number 5 out of 8. On top of that, India appears to be the country where this track was created. Geega Ghari Ka So Ja is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Geega Ghari Ka So Ja by Rajendra Jain, Rashmi, Pushpa to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ke Patiya Lay Jayat Re | Rajni Pallavi | B♭ Minor | 5 | 3A | 110 BPM | ||
| Bindine Bhang Bharle | Madhuri Mahajan | E Major | 6 | 12B | 88 BPM | ||
| Shri Mahalaxmi Aarti | Usha Mangeshkar | D♭ Major | 5 | 3B | 68 BPM | ||
| Krishna Govind Gopal | Anil Hanslas | F Major | 6 | 7B | 146 BPM | ||
| Maa Achen Aar Ami Achhi | Mahesh Ranjan Shome | G Major | 5 | 9B | 88 BPM | ||
| Everything Is Perishable, Only the Lord's Name Is True Wealth | Veer Manpreet Singh | D♭ Major | 3 | 3B | 140 BPM | ||
| Mor Dai Navdurga | Alka Chandrakar | G Major | 8 | 9B | 93 BPM | ||
| Om Jai Jagdish Hare, Swami Jai Jagdish Hare | Shyam Saajan, Supriya | G Major | 2 | 9B | 132 BPM | ||
| Arup Tomar Bani | Srikanta Acharya | C Major | 4 | 8B | 140 BPM | ||
| Jai Gange Mata | Anjali Jain | F♯ Major | 8 | 2B | 93 BPM | ||
| Radhe Krishna Ki Jyoti | Soumya Pandey | A♭ Major | 5 | 4B | 184 BPM | ||
| Surya Upanishath | D.V. Ramani, Ramu.N.Prakash | B♭ Major | 3 | 6B | 137 BPM | ||
| Hala Karu Hu | Baps Swaminarayan Sanstha | E Major | 3 | 12B | 132 BPM | ||
| Ambe Maa Ki Aarti | ARCHANA PARMAR | D Major | 6 | 10B | 95 BPM | ||
| Mayriya Mori Jhooleli | MANOJ TIWARI | D♭ Minor | 5 | 12A | 85 BPM | ||
| Maanasa Mandira | Sri Ganapathy Sachchidananda Swamiji | F Major | 7 | 7B | 95 BPM | ||
| Aarti Shree Jambh Tumari Jambheshwar Bhajan | Sant Rajuram Ji | E♭ Minor | 7 | 2A | 88 BPM | ||
| Dhadila Nirop Saibabani Mala | Sai bhakti, Rajesh Ranshur | E♭ Minor | 9 | 2A | 118 BPM | ||
| Karu Koti Koti Pranam (Anand No Garbo) | Hari cassettes | A♭ Major | 5 | 4B | 96 BPM | ||
| Vasudha ke is anchal mein | Brahma Kumaris | E Major | 5 | 12B | 142 BPM | ||
| Bahu Punya Kera Punjthi | SRMD Bhakti | D♭ Major | 3 | 3B | 114 BPM | ||
| Chaubis Deepon Ke Thaal | Rajendra Jain, Hemanti Sukla | A♭ Major | 3 | 4B | 104 BPM | ||
| Japa Timi Hariko Nam | Binayak Shamser | F Major | 5 | 7B | 76 BPM | ||
| Maere dil ne yahee baat dil sae kahee | Brahma Kumaris | D♭ Major | 3 | 3B | 149 BPM | ||
| Mere Baankey Bihari Teri Leela Hai Nyaari | Bhaiya Krishan Das Ji | D♭ Major | 8 | 3B | 136 BPM |