- BPM
- 153
- Key
- D Major
- Camelot
- 10B
Ethereal Reverie by Sebastian Verneau Song Details
Sebastian Verneau's 'Ethereal Reverie' had a release date set for December 21, 2024. With This song being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Because this song is the only song in Ethereal Reverie and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. Based on our statistics, Ethereal Reverie's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
The tempo marking of Ethereal Reverie by Sebastian Verneau is Allegro (fast, quick, and bright), since this song has a tempo of 153 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
Music Key
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 26%
- Loudness
- -15.397 dB
- Acousticness
- 95%
- Danceability
- 56%
- Energy
- 32%
- Instrumentalness
- 66%
- Liveness
- 26%
- Loudness
- 74%
- Speechiness
- 7%
- Valence
- 38%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | |
 | 3 Romances, Op. 11: No. 2 in G Minor | Clara Schumann, Jean-Pierre Armengaud | B Minor | 0 | 10A | 70 BPM | |
 | Ives: Set No. 6 for Chamber Orchestra "From the Side Hill": I. Mists | Charles Ives, Ensemble Modern, Ingo Metzmacher | E♭ Major | 1 | 5B | 131 BPM | |
 | Sinfonietta, Op. 79: I. Intrada. Festivo, tempo di marcia | Boris Papandopulo, I Solisti di Zagreb, Sreten Krstic | A♭ Major | 2 | 4B | 114 BPM | |
 | Suite, Op. 157b: I. Ouverture | Darius Milhaud, Jean-Marc Fessard, Frédéric Pélassy, Eliane Reyes | D♭ Major | 0 | 3B | 66 BPM | |
 | Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: IV. Auftritt und Tanz der Schneider | Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson, José-Luis Garcia | D Minor | 2 | 7A | 119 BPM | |
 | Children's Corner (arr. A. Caplet for orchestra): Serenade for the Doll | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D♭ Minor | 0 | 12A | 131 BPM | |
 | Piano Trio in G Minor, Op. 17: III. Andante | Clara Schumann, Dartington Piano Trio | D Minor | 2 | 7A | 87 BPM | |
 | 12 Etudes, Op. 8: No. 5 in E Major (Brioso) | Alexander Scriabin, Matthieu Idmtal | D♭ Minor | 0 | 12A | 68 BPM | |
 | Air de ballet, Op. 30 | Cécile Chaminade, Eric Parkin | E Minor | 1 | 9A | 125 BPM | |
 | Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XXIV. A tempo un poco meno mosso | Sergei Rachmaninoff, Cecile Ousset, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | C Major | 2 | 8B | 106 BPM | |
 | Pictures at an Exhibition: XIV. Cum mortuis in lingua mortua | Modest Mussorgsky, Alexander Gadjiev | B Minor | 0 | 10A | 133 BPM | |
 | Phantasy Quintet: III. Alla Sarabanda | Ralph Vaughan Williams, Piatti Quartet, Zahra Benyounes | D Minor | 2 | 7A | 119 BPM | |
 | El sombrero de tres picos, Pt. 2: I. Danza de los vecinos | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 100 BPM | |
 | Poulenc: Piano Concerto, FP 146: I. Allegretto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | G Minor | 1 | 6A | 130 BPM | |
 | Préludes: I. La colombe | Olivier Messiaen, Jan Lisiecki | E Major | 0 | 12B | 68 BPM | |
 | La Cinquième Saison, Op. 15: I. Le Secret des feuilles: L'arbre aux légendes 2 | Corentin Apparailly, Julien Martineau, Orchestre Victor Hugo, Jean-François Verdier | D Minor | 2 | 7A | 119 BPM | |
 | Cello Concerto No. 1 in A Minor, Op. 33, R. 193: III. Allegro non troppo | Camille Saint-Saëns, Daniel Müller-Schott, Deutsches Symphonie-Orchester Berlin, Alexandre Bloch | F Major | 0 | 7B | 78 BPM | |
 | Radiant Moments | Veridia | D Minor | 2 | 7A | 119 BPM | |
 | Symphony in B-Flat Major, Hob. I:102: IV. Finale. Presto | Joseph Haydn, Ádám Fischer, Österreichisch-Ungarische Haydn Philharmonie | D Minor | 2 | 7A | 119 BPM | |
 | Rhapsody on a Theme of Paganini, Op. 43: Variation 12 | Sergei Rachmaninoff, Bernd Glemser, Polish National Radio Symphony Orchestra, Antoni Wit | G Minor | 2 | 6A | 112 BPM | |
 | Müllerlieder, S. 565/R. 249: No. 5, Wohin? (After F. Schubert) | Franz Liszt, Yoonie Han | B Major | 0 | 1B | 69 BPM | |
 | Moment Exotique | Vladimir Horowitz | D Minor | 2 | 7A | 119 BPM | |
 | The Bronze Horseman (Arr. J. Lenehan): II. Andante | Helen Habershon, Andrew Fuller, John Lenehan | A Minor | 1 | 8A | 89 BPM | |
 | Concert Étude, Op. 35: No. 2, Automne | Máire Carroll | D♭ Major | 1 | 3B | 69 BPM |
- ISRC
- AUQ9D2402952
- Label
- L-M Records/RCA Records