Adriatic's ' "Every Big Smile" was released on its scheduled release date, February 26, 2013. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Every Big Smile's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Adriatic's "Good @ Luck" album is number 3 out of 10. On top of that, Turks and Caicos Islands appears to be the country where this track was created. In terms of popularity, Every Big Smile is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Every Big Smile by Adriatic to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Death Before Dishonor, Death Before Surrender | Manifold Strife | D♭ Major | 9 | 3B | 195 BPM | ||
| Rings For Rosie | Epitaph | D♭ Minor | 8 | 12A | 90 BPM | ||
| Between Soil and Sun | Burial Path | G Major | 10 | 9B | 178 BPM | ||
| Imprisoned | Harkla | D♭ Minor | 9 | 12A | 100 BPM | ||
| Planina | Adriatic | F Major | 8 | 7B | 120 BPM | ||
| Fort Meade | Terminal Function | A♭ Major | 9 | 4B | 130 BPM | ||
| Elles Surgissent | Terminal Function | D♭ Major | 9 | 3B | 97 BPM | ||
| Nocturnal Forms - Bonus Track | URNE | G Major | 10 | 9B | 178 BPM | ||
| Personal Jesus | RtL | F♯ Major | 10 | 2B | 112 BPM | ||
| Scion of Lamentation | The Mensis Ritual | A♭ Major | 10 | 4B | 150 BPM | ||
| A Sermon to the Sheep | Vermocracy | G Major | 10 | 9B | 178 BPM | ||
| DATURA | The Local Romance | G Major | 10 | 9B | 178 BPM | ||
| Root | Apathy UK | C Major | 10 | 8B | 137 BPM | ||
| COSA NOSTRA | QUEEN KONA | G Major | 10 | 9B | 178 BPM | ||
| Shadow of the Reaper | Headstone Hollow | A Minor | 9 | 8A | 83 BPM | ||
| When Words Mean Nothing | Adriatic | D♭ Major | 9 | 3B | 133 BPM | ||
| Fading Trace | Despite Exile | A♭ Major | 10 | 4B | 148 BPM | ||
| Suckcess | Backbite, Bite Down | G Major | 10 | 9B | 178 BPM | ||
| Phases | Requiem Core | G Major | 10 | 9B | 178 BPM | ||
| Old Stories | Cyborg Octopus | A♭ Minor | 10 | 1A | 112 BPM | ||
| Yell at God | Oltrezona | G Major | 10 | 9B | 127 BPM | ||
| Via Dolorosa | Uncircle | F♯ Major | 9 | 2B | 115 BPM | ||
| Invisible Enemies | Ascend The Helix | G Major | 10 | 9B | 178 BPM | ||
| Agony (A Prologue to Torment) | Aerith | B♭ Minor | 10 | 3A | 145 BPM | ||
| Final Decision II | Magnacult | D♭ Major | 10 | 3B | 123 BPM |