Ø [Phase], Inigo Kennedy's 'Binary Opposition - Inigo Kennedy Process' had a release date set for 2012. This song is about six minutes long, preciously at 6:11, making this song fairly long compared to other songs. The song is number 6 out of 6 in Binary Opposition Reprocessed by Ø [Phase]. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Based on our statistics, Binary Opposition - Inigo Kennedy Process's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Binary Opposition - Inigo Kennedy Process by Ø [Phase], Inigo Kennedy is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Low Life | Robert Hood | A Minor | 6 | 8A | 127 BPM | ||
| Eleven | Z.I.P.P.O | B Minor | 10 | 10A | 144 BPM | ||
| Sinto | Nørbak | F♯ Minor | 9 | 11A | 143 BPM | ||
| Castor and Pollux | PTU | B♭ Minor | 3 | 3A | 133 BPM | ||
| Hostage | Mark Broom, James Ruskin | E Minor | 8 | 9A | 127 BPM | ||
| 09 09 1999 | 999999999 | C Major | 10 | 8B | 135 BPM | ||
| Ryder's Return | Ø [Phase] | D♭ Major | 10 | 3B | 138 BPM | ||
| Beacon | Truss | E Minor | 10 | 9A | 128 BPM | ||
| Dusker | Takaaki Itoh | E Minor | 9 | 9A | 128 BPM | ||
| Barah | Amotik | D♭ Major | 8 | 3B | 134 BPM | ||
| Telic | Shifted | C Major | 8 | 8B | 130 BPM | ||
| Sanity Regard | Roogunit, Ø [Phase], Luke Slater | D♭ Major | 3 | 3B | 127 BPM | ||
| Shifted Reality | Abstract Division | D♭ Major | 9 | 3B | 130 BPM | ||
| Don’t Let Go | Roogunit, Ø [Phase], Luke Slater | F♯ Minor | 10 | 11A | 143 BPM | ||
| Wisher | Takaaki Itoh | B♭ Minor | 9 | 3A | 128 BPM | ||
| Sikker | Stephanie Sykes | D♭ Major | 9 | 3B | 133 BPM | ||
| 12th Hour - Ø [Phase] edit | Sanna Mun, Ø [Phase] | G Major | 9 | 9B | 127 BPM | ||
| Verlorene Seelen - Ø [Phase] Version | SHDW, Obscure Shape, Ø [Phase] | B Minor | 7 | 10A | 138 BPM | ||
| Terror Acid | Boston 168 | A♭ Major | 10 | 4B | 128 BPM | ||
| Great Attractor - Setaoc Mass Remix | Phara, Setoac Mass | G Major | 9 | 9B | 135 BPM | ||
| Do It Now | Nastia Reigel | G Major | 9 | 9B | 136 BPM | ||
| Drive (The Age Of Automation) - Ø [Phase] Nocturnal Mix | Robert Hood, Ø [Phase] | E Minor | 9 | 9A | 128 BPM | ||
| Machinae | Herbert Suarez | C Minor | 8 | 5A | 130 BPM | ||
| Psykhosis | Phyxix, MATRiXXMAN, Ø [Phase] | A♭ Minor | 6 | 1A | 138 BPM | ||
| Disaffected | Sandwell District, Function | F Major | 8 | 7B | 119 BPM |