Low Frequencies Part I - D-Formation Remix
Chus & Ceballos, Richie Santana
Low Frequencies Part I
7:00 October 4, 2004
BPM
127
Key
A Major
Camelot
11B

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Low Frequencies Part I - D-Formation Remix by Chus & Ceballos, Richie Santana Song Details

Chus & Ceballos, Richie Santana's ' "Low Frequencies Part I - D-Formation Remix" was released on its scheduled release date, October 4, 2004. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Chus & Ceballos, Richie Santana's "Low Frequencies Part I" album is number 2 out of 3. Based on our statistics, Low Frequencies Part I - D-Formation Remix's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.

BPM and Tempo

We consider the tempo marking of Low Frequencies Part I - D-Formation Remix by Chus & Ceballos, Richie Santana to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Music Key

A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-7.938 dB
Acousticness
1%
Danceability
75%
Energy
97%
Instrumentalness
91%
Liveness
21%
Loudness
87%
Speechiness
8%
Valence
54%

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records