String Quartet in E-Flat Major, Op. 48, No. 3: III. Menuetto. Allegro assai by Anton Reicha, Kreutzer Quartet Song Details

Anton Reicha, Kreutzer Quartet's ' "String Quartet in E-Flat Major, Op. 48, No. 3: III. Menuetto. Allegro assai" was released on its scheduled release date, March 25, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "Reicha: Complete String Quartets, Vol. 2". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. String Quartet in E-Flat Major, Op. 48, No. 3: III. Menuetto. Allegro assai is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

With String Quartet in E-Flat Major, Op. 48, No. 3: III. Menuetto. Allegro assai by Anton Reicha, Kreutzer Quartet having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -19.923 dB
Acousticness: 98%
Danceability: 44%
Energy: 6%
Instrumentalness: 86%
Liveness: 11%
Loudness: 67%
Speechiness: 5%
Valence: 43%

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