"Shadow Pieces: No. 1, Midnight" by Kasper Rofelt, Bjarke Mogensen had its release date on May 1, 2012. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "The Song I'll Never Sing: Works for Accordion". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Denmark. Based on our statistics, Shadow Pieces: No. 1, Midnight's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Shadow Pieces: No. 1, Midnight by Kasper Rofelt, Bjarke Mogensen having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Harp Concerto, Op. 25: II. Molto moderato | Alberto Ginastera, Xavier De Maistre, Bertrand de Billy, Vienna Radio Symphony Orchestra | C Major | 0 | 8B | 78 BPM | ||
| String Quartet No. 4, "Buczak": II. — | Philip Glass, Carducci String Quartet | G Minor | 0 | 6A | 73 BPM | ||
| String Quartet, M. 35: II. Assez vif, très rythmé | Maurice Ravel, Ayako Tanaka, Hungwei Huang, Svetlin Roussev, Woongwhee Moon | F Major | 1 | 7B | 150 BPM | ||
| Mythes, Op. 30: 1. La fontaine d'Aréthuse | Karol Szymanowski, Janine Jansen, Antonio Pappano | D♭ Major | 1 | 3B | 102 BPM | ||
| Astral Dance | Kira Nebula | A♭ Minor | 8 | 1A | 104 BPM | ||
| String Quartet No. 1 in D Major, Op. 25: I. Andante Sostenuto - Allegro Vivo | Benjamin Britten, Barbican Quartet | G Major | 1 | 9B | 77 BPM | ||
| 不浄 | Taku Iwasaki | D♭ Major | 6 | 3B | 82 BPM | ||
| Piano Trio No. 5 in D Major, Op. 70, No. 1, "Ghost": II. Largo assai ed espressivo | Ludwig van Beethoven, Xyrion Trio | D Minor | 0 | 7A | 84 BPM | ||
| Daylight | Dobrawa Czocher | A♭ Major | 0 | 4B | 110 BPM | ||
| Piano Quintet in C Minor: II. Scherzo: Allegro non troppo | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Major | 1 | 8B | 115 BPM | ||
| Entourage II | Kasper Rofelt, Danish Chamber Players | G Major | 1 | 9B | 77 BPM | ||
| Obertura | Classical Laguna Experience Orchestra, Gabriela Ortiz, Ludwig Carrasco | F♯ Major | 4 | 2B | 136 BPM | ||
| Piano Concerto No. 2 in C Minor, Op. 18: 2. Adagio sostenuto | Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis | E Major | 1 | 12B | 141 BPM | ||
| Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM | ||
| Concerto for String Orchestra: I. Allegro | Grażyna Bacewicz, Capella Bydgostiensis, Mariusz Smolij | C Major | 2 | 8B | 125 BPM | ||
| The Accident - Bonus Track | Joe Hisaishi | D♭ Major | 3 | 3B | 153 BPM | ||
| Sonatas and Interludes for Prepared Piano: Sonata No. 4 | John Cage, Boris Berman | D Major | 0 | 10B | 210 BPM | ||
| Nightsong 2 | Kasper Rofelt, Bjarke Mogensen, Christina Åstrand | F Major | 1 | 7B | 161 BPM | ||
| Sing Sing | Bryce Dessner | D♭ Major | 1 | 3B | 97 BPM | ||
| Orgelbüchlein, BWV 599-644: Durch Adams Fall ist ganz verderbt, BWV 637 (Arr. Thomas) | Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton | D Minor | 0 | 7A | 135 BPM | ||
| Castillo Interior: Adagio | Pēteris Vasks, Kristīne Balanas, Margarita Balanas | D Major | 0 | 10B | 90 BPM | ||
| Trio (Lamento), for Oud, Viola and Piano: IV. Un Poco Piu Mosso | Menachem Wiesenberg, Yuval Gotlibovich, Taiseer Elias | G Major | 1 | 9B | 87 BPM | ||
| Shaker Loops: Pt. I, Shaking and Trembling | John Adams, Orchestra of St. Luke's | G Major | 1 | 9B | 153 BPM | ||
| Rain | Joe Hisaishi | D♭ Major | 3 | 3B | 153 BPM | ||
| String Quartet No. 1: Pt. II | Philip Glass, Carducci String Quartet | F♯ Major | 0 | 2B | 86 BPM |