"Contact" by 照井順政 had its release date on December 22, 2021. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Contact's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 『劇場版 呪術廻戦 0』オリジナル・サウンドトラック, so we believe that "Contact" is a single. In terms of popularity, Contact is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Contact by 照井順政 is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Se7enth Sin | 祖堅 正慶 | A Minor | 2 | 8A | 66 BPM | ||
| 眷属 | Yoshiaki Dewa | A Minor | 2 | 8A | 61 BPM | ||
| The Dead Survive | Trevor Gureckis | D♭ Major | 6 | 3B | 146 BPM | ||
| The Shakes | Andrew Hulshult | D Major | 5 | 10B | 143 BPM | ||
| Cyborg | 加藤達也 | B Minor | 5 | 10A | 141 BPM | ||
| Conflict | mabanua | D Major | 9 | 10B | 162 BPM | ||
| San Francisco, California 1962 | Natalie Holt | F Minor | 5 | 4A | 138 BPM | ||
| Demens | Joel Corelitz | D♭ Minor | 6 | 12A | 137 BPM | ||
| Treading Water | Nao Sato | D♭ Major | 6 | 3B | 90 BPM | ||
| Eerie Blank | Shiro Sagisu | G Major | 2 | 9B | 179 BPM | ||
| The Great Holy Grail War - Ambience Mix | Masaru Yokoyama | B Minor | 4 | 10A | 99 BPM | ||
| Filthy Little Rats | Mikko Tarmia | D♭ Major | 7 | 3B | 120 BPM | ||
| You're Going To Be Spectacular | David Buckley | E♭ Major | 1 | 5B | 176 BPM | ||
| 這い寄る思惑 | 加藤慶久 | A Major | 1 | 11B | 162 BPM | ||
| The 25th Bam | Kevin Penkin, Raj Ramayya | E Minor | 3 | 9A | 80 BPM | ||
| Light of El-Alamein | Bear McCreary | F Major | 7 | 7B | 120 BPM | ||
| Are you the perpetrator? | 高田龍一 | F Major | 1 | 7B | 96 BPM | ||
| Cold Open | 照井順政 | D Major | 5 | 10B | 143 BPM | ||
| Razor Blade | Christian Pacaud, Borderlands Music | F Minor | 4 | 4A | 138 BPM | ||
| Drums from Hell | Kota Suzuki | C Minor | 6 | 5A | 105 BPM | ||
| Reach the Computer | Jack Wall, Shaun Chen | C Major | 5 | 8B | 147 BPM | ||
| Searching for Riko | 照井順政 | B Minor | 8 | 10A | 138 BPM | ||
| Through the Barrier | Bobby Krlic, Bill Hemstapat | F Major | 8 | 7B | 120 BPM | ||
| Algos | Joe Thwaites | F Major | 8 | 7B | 120 BPM | ||
| Blood | Che Lingo | A Major | 9 | 11B | 110 BPM |