"The Armed Man - A Mass For Peace: XI. Now the Guns Have Stopped" by Karl Jenkins, London Philharmonic Orchestra had its release date on 2001. The duration of This song is about 3 minutes long, at 3:25. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "The Armed Man: A Mass For Peace". In this album, this song's track order is #11. The Armed Man - A Mass For Peace: XI. Now the Guns Have Stopped is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Armed Man - A Mass For Peace: XI. Now the Guns Have Stopped by Karl Jenkins, London Philharmonic Orchestra having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bizet: Les pêcheurs de perles, Act 1: "Au fond du temple saint" (Nadir, Zurga) | Georges Bizet, Pierre Dervaux, Ernest Blanc, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | E♭ Major | 2 | 5B | 88 BPM | ||
| When I Am Laid in Earth | Henry Purcell, United Strings of Europe, Julian Azkoul | G Minor | 0 | 6A | 83 BPM | ||
| Stabat mater: III. Vidit Jesum In Tormentis | Karl Jenkins, Royal Liverpool Philharmonic Orchestra, Andrew Long, Ian Tracey, Jurgita Adamonyte, Belinda Sykes, EMO Ensemble, Pasi Hyökki, Jody K. Jenkins | C Major | 3 | 8B | 85 BPM | ||
| The City | Majorstua Kammerkor & Tore Erik Mohn | E♭ Major | 2 | 5B | 88 BPM | ||
| The Peacemakers: XIV. One Song | Karl Jenkins, London Symphony Orchestra, City of Birmingham Symphony Youth Chorus, Simon Halsey, Rundfunkchor Berlin, Jody K. Jenkins, Laurence Cottle | G Major | 4 | 9B | 180 BPM | ||
| Brahms: Ein deutsches Requiem, Op. 45: III. Herr, lehre doch mich | Johannes Brahms, Sir Simon Rattle, Berliner Philharmoniker, Rundfunkchor Berlin, Thomas Quasthoff | B♭ Major | 0 | 6B | 120 BPM | ||
| Love Sleeping Alone | Ria Mbanefo | G Minor | 1 | 6A | 134 BPM | ||
| Ein deutsches Requiem, Op. 45: V. Ihr habt nur Traurigkeit | Johannes Brahms, Christiane Oelze, Collegium Vocale Gent, La Chapelle Royale, Orchestre des Champs-Élysées, Philippe Herreweghe | B♭ Major | 0 | 6B | 120 BPM | ||
| Turandot / Act 1: "Popoli di Pekino!" | Giacomo Puccini, Sabin Markov, Montserrat Caballé, Luciano Pavarotti, Nicolai Ghiaurov, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | A♭ Major | 3 | 4B | 134 BPM | ||
| How Sweet The Moonlight [The Merchant of Venice] | Jocelyn Pook, Andreas Scholl, Baroque String Quartet, Siobhán Armstrong, Harvey Brough, Elizabeth Kenny | E♭ Major | 1 | 5B | 135 BPM | ||
| Fantasia On a Theme By Thomas Tallis | Ralph Vaughan Williams, Sir Adrian Boult, London Philharmonic Orchestra | C Minor | 1 | 5A | 102 BPM | ||
| The Blue Bird | Charles Villiers Stanford, Cantorum Chamber Choir, Melissa Heath, Steve Durtschi | F♯ Major | 1 | 2B | 124 BPM | ||
| Chorale: Za Ma Ba | Karl Jenkins, Peter Pejtsik, Adiemus Symphony Orchestra Of Europe | G Major | 3 | 9B | 84 BPM | ||
| Morgengesang | Sjaella | F♯ Major | 1 | 2B | 75 BPM | ||
| Panis Angelicus: Panis Angelicus | César Franck, Cecilia Bartoli, Cinzia Maurizio, Luigi Piovano, Daniele Rossi | G Major | 1 | 9B | 171 BPM | ||
| Chorale II: Roosh Ka Ma | Karl Jenkins, Adiemus, Mary Carewe, Pamela Thorby, Miriam Stockley, London Philharmonic Orchestra, Jody K. Jenkins | A Minor | 1 | 8A | 92 BPM | ||
| Cantata Memoria: Pitran, Patran | Karl Jenkins, Elin Manahan Thomas, Côr Heol y March, Cor Y Cwm, Cywair, Cor Caerdydd, Cf1, Catrin Finch, Jody Jenkins, Sinfonia Cymru | A Major | 2 | 11B | 120 BPM | ||
| Over The Stone: II. Somnium Aeternum | Karl Jenkins, Catrin Finch, London Symphony Orchestra | A Major | 0 | 11B | 81 BPM | ||
| Symphony No. 3, "Pastoral Symphony": II. Lento moderato | Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels | G Minor | 0 | 6A | 88 BPM | ||
| DANCE: I. when you're broken open | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | F Major | 1 | 7B | 69 BPM | ||
| Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina | Carl Orff, Michel Plasson - Orchestre Du Capitole De Toulouse - Jose Antonio Sainz - Natalie Dessay - Malcolm Stewart - Choeur D'Enfants Midi Pyrenees - Orfeon Donostiarra, Michel Plasson, Orchestre National Du Capitole De Toulouse | D Minor | 0 | 7A | 141 BPM | ||
| Son of God Mass: Lava me | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | D♭ Minor | 0 | 12A | 67 BPM | ||
| Saint-Saens, Organ Symphony, Finale | Philharmonia La Seine | F Major | 4 | 7B | 150 BPM | ||
| Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
| Adoration (Arr. Gray for Violin & Orchestra) | Florence Beatrice Price, Randall Goosby, Philadelphia Orchestra, Yannick Nézet-Séguin | D Major | 3 | 10B | 74 BPM |