"Guru Ki Mahima" by Chitra Roy had its release date on January 1, 2008. This song is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. The song is number 7 out of 8 in Eternal Grace by Chitra Roy. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Guru Ki Mahima's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Guru Ki Mahima by Chitra Roy is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jai Mata Bhavani | Mahendra Kapoor | F♯ Major | 5 | 2B | 92 BPM | ||
| Mangal Mantra | Bhudev Labadiya | F♯ Minor | 5 | 11A | 134 BPM | ||
| Kyan Re Vase Tulsi | Manoj Dave, Deepal Gajjar, Maitreyee Vyas | F Major | 5 | 7B | 148 BPM | ||
| Shivoham | Chitra Roy | G Major | 4 | 9B | 102 BPM | ||
| Namoh Hari Aanand | Sudhanshu, Sarita Joshi | A♭ Major | 8 | 4B | 80 BPM | ||
| शनि देव आरती | Shani Dev Aarti | Hari cassettes | B Minor | 4 | 10A | 88 BPM | ||
| Vandan Kariye | Satish Dehra, Foram Maheta | B♭ Major | 7 | 6B | 90 BPM | ||
| Radhe Mohan | Ravindra Jain | F♯ Major | 6 | 2B | 90 BPM | ||
| Durga Aarti | Tripti Shakya, Gopal Rai, Mohan Rathore | F Major | 6 | 7B | 101 BPM | ||
| Om Jai Sarswati Mata | Anuradha Paudwal, Kavita Paudwal, Suresh Wadkar | F Minor | 7 | 4A | 88 BPM | ||
| Shree Krishna Govind | Manoj Dave | E♭ Major | 4 | 5B | 123 BPM | ||
| Namo Sharada | Bhanumathi Narasimhan | B Minor | 4 | 10A | 124 BPM | ||
| Muskaye Ke Mero Man | Vinod Agarwal | A♭ Major | 6 | 4B | 127 BPM | ||
| Sri Sarada Suprabhatam | Ramakrishna Math, Swami Sarvagananda | D Major | 4 | 10B | 77 BPM | ||
| Baba Ki Ashaon Brahmakumaris | BK Asmita, BK Seeza | E♭ Major | 6 | 5B | 139 BPM | ||
| Prabhu chintan karo prabhu pyar | Brahma Kumaris | F Minor | 3 | 4A | 130 BPM | ||
| Narayana | Sachin Llimaye | C Major | 4 | 8B | 89 BPM | ||
| Kavan So Kaaj Kathin Jag Mahi | Siddharth Shankar Srivastav | F♯ Major | 4 | 2B | 168 BPM | ||
| Parameshwaraya | Rishi Nityapragya | F Major | 6 | 7B | 118 BPM | ||
| Srirudrashtakam; Goswami Tulsidas (Raga Kedar) | Pandit Chhannulal Mishra | E♭ Major | 5 | 5B | 141 BPM | ||
| Shree Krishna Govind | Pranita | E Major | 7 | 12B | 103 BPM | ||
| Jay Jay Din Dayala - (Satyanarayan Aarti) | Vivek Naik, Sachita Morajkar, Pratap Kalke, Pramila Sawant, Sarita Pathare, Mohan Morajkar | D Major | 8 | 10B | 84 BPM | ||
| श्री राम चंद्र कृपालु भजमन Shri Ram Chandra Kripalu | Hari cassettes | F Minor | 4 | 4A | 148 BPM | ||
| Gagan Ki Ote Nishana | Jagjit Singh | C Major | 5 | 8B | 83 BPM | ||
| Ambe Maa | Bhanumathi Narasimhan | E Major | 5 | 12B | 94 BPM |