On February 20, 2012, the song "Goldberg Variations Bwv 988, Variatio 1" was released by Calefax Reed Quintet. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Calefax Reed Quintet's "Goldberg Variations" album is number 2 out of 32. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Goldberg Variations Bwv 988, Variatio 1 is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Goldberg Variations Bwv 988, Variatio 1 by Calefax Reed Quintet to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 3 Romanzen, Op. 94: III. Nicht schnell | Robert Schumann, Céline Moinet, Florian Uhlig | D Major | 0 | 10B | 169 BPM | ||
| Purcell: Funeral Sentences for the Death of Queen Mary, Z. 27: VII. March | Henry Purcell, Alison Balsom, Balsom Ensemble | E Minor | 1 | 9A | 101 BPM | ||
| Sonata in D Major, K.119: Allegro | Domenico Scarlatti, Daria van den Bercken | D Major | 2 | 10B | 126 BPM | ||
| Pictures at an Exhibition: The Old Castle | Modest Mussorgsky, Branford Marsalis, Andrew Litton, English Chamber Orchestra | A♭ Major | 0 | 4B | 135 BPM | ||
| 6 Variations on 'Nel cor più non mi sento’, di G. Paisiello in G Major, Op. 42 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): II. Variation 1 | Johann Baptist Vanhal, Claudio Ferrarini | A Major | 2 | 11B | 142 BPM | ||
| Violin Sonata No. 26 in B-Flat Major, K. 378: III. Rondo. Allegro (Arr. L. Slavinsky for oboe and piano) | Wolfgang Amadeus Mozart, Alexei Ogrintchouk, Leonid Ogrintchouk | B♭ Major | 1 | 6B | 77 BPM | ||
| Sinfonia in D Minor, Fk. 65: I. Adagio | Wilhelm Friedemann Bach, Il Pomo D'oro, Francesco Corti | D♭ Minor | 0 | 12A | 86 BPM | ||
| Grieg: The Mountain Maid, Op. 67: No. 3, Blueberry Slope (Transcr. for Trumpet and Piano) | Edvard Grieg, Tine Thing Helseth, Håvard Gimse | F Major | 1 | 7B | 106 BPM | ||
| 24 Preludes and Fugues in C Major, Op. 87 No. 1: Fugue (Arr. by Eduard Wesly) | Dmitri Shostakovich, Calefax Reed Quintet | F♯ Minor | 1 | 11A | 118 BPM | ||
| Pulcinella Suite: I. Sinfonia | Igor Stravinsky, Tapiola Sinfonietta, Masaaki Suzuki | G Major | 0 | 9B | 91 BPM | ||
| New Amsterdam (Arr. Raaf Hekkema) | Moondog, Calefax Reed Quintet | D Minor | 1 | 7A | 97 BPM | ||
| Sonata No. 1 in C Major (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): II. Variation I | Saverio Mercadante, Claudio Ferrarini | A Major | 2 | 11B | 142 BPM | ||
| Far East Suite - III. Isafahan | Tony Overwater Trio, Calefax Reed Quintet | A♭ Major | 4 | 4B | 127 BPM | ||
| Sonata in D Minor, K. 1 | Domenico Scarlatti, Martin Fröst | D Minor | 0 | 7A | 77 BPM | ||
| Missa à 5: III. Credo (arr. Reed Quintet by Eduard Wesley) | William Byrd, Calefax Reed Quintet | D Minor | 0 | 7A | 72 BPM | ||
| Da Da DDD | Mike Bish | G Major | 0 | 9B | 110 BPM | ||
| The River - I. The spring | Tony Overwater Trio, Calefax Reed Quintet | F Minor | 2 | 4A | 134 BPM | ||
| Garland of Sonnets, Op. 44: No. 2, Andante | Youli Galperine, Sergei Nakariakov, Maria Meerovitch | F Minor | 1 | 4A | 67 BPM | ||
| Concert Etude, Op. 49 | Alexander Goedicke, Carole Dawn Reinhart, Jean-Claude Vanden Eynden | A Major | 2 | 11B | 142 BPM | ||
| Missa à 5: VI. Agnus Dei (arr. Reed Quintet by Eduard Wesley) | William Byrd, Calefax Reed Quintet | F Major | 0 | 7B | 127 BPM | ||
| Pièces froides, Pt. 2 "Danses de travers" (Arr. R, Hekkema for Reed Quintet): No. 3, Encore | Erik Satie, Calefax Reed Quintet | A Minor | 1 | 8A | 67 BPM | ||
| Le tombeau de Couperin, M. 68: II. Fugue (Arr. for Wind Ensemble by Mason Jones) | Maurice Ravel, Ensemble Ouranos | A Major | 2 | 11B | 142 BPM | ||
| Damase: Berceuse pour cor et piano, Op. 19 | Jean-Michel Damase, David Pyatt, Martin Jones | B♭ Major | 0 | 6B | 69 BPM | ||
| Goldberg Variations Bwv 988, Variatio 3, Canone All'unisuono | Calefax Reed Quintet | G Major | 3 | 9B | 87 BPM | ||
| Clarinet Concerto: II. Scherzando | Jean Françaix, Orchestra della Svizzera Italiana, Alain Lombard, Paolo Beltramini | D Minor | 3 | 7A | 99 BPM |