Shaam's ' "Talama Ashku Gharami - Expression To See Muhammad (SAW)" was released on its scheduled release date, November 19, 2004. With This song being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Shaam's "Mawlid At Abbey Road" album is number 24 out of 33. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Talama Ashku Gharami - Expression To See Muhammad (SAW) is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Talama Ashku Gharami - Expression To See Muhammad (SAW) by Shaam to be Presto (very, very fast) because the track has a tempo of 179 BPM, a half-time of 90BPM, and a double-time of 358 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| أذان رائع | الصوت الجميل | C Major | 2 | 8B | 138 BPM | ||
| ذكرينا يا بقايا الامس فينا | خالد الضبيبي & موسى العميرة | F♯ Minor | 3 | 11A | 110 BPM | ||
| إلهي أعفو عن ذنوبي - Ilahi A'fu 'an Dhunubi | Khaled Al Atyer | A Minor | 5 | 8A | 114 BPM | ||
| أم الحسن | Khaled Al Atyer | C Minor | 5 | 5A | 140 BPM | ||
| ياشاعر الاطفال ( فوكال ) | Osama Al Safi | B♭ Minor | 9 | 3A | 88 BPM | ||
| Ramadānu Tajala | Khuddāmul-Islām Nasheed Group | A Major | 5 | 11B | 170 BPM | ||
| ربنا اتمم لنا نورنا | Bader Alnufais | F♯ Minor | 0 | 11A | 132 BPM | ||
| Bulaye Masjid E Aqsa | Muaviya Bin Azam | B♭ Major | 2 | 6B | 194 BPM | ||
| سر إلى نادي السراج | Anasheed | G Major | 3 | 9B | 96 BPM | ||
| Ya Imamar Rusli | Ahbabul Habib | C Minor | 5 | 5A | 92 BPM | ||
| As Salatu'l Badriyyah | Burdah Ensemble | C Major | 6 | 8B | 143 BPM | ||
| Ṣalla Allāhu ʿAlayk Yā Nūr | The Adel Brothers | F Major | 6 | 7B | 180 BPM | ||
| Wo Sang E Giran Jo Haya Hai | Muaviya Bin Azam | B♭ Minor | 6 | 3A | 120 BPM | ||
| لا تنوحوا فليس يجدي العويل | Anasheed | D♭ Minor | 3 | 12A | 116 BPM | ||
| ALLAHU AKBAR 5 | Free Palestine | B Major | 3 | 1B | 81 BPM | ||
| Karwan E Haq Chaly | Ibn e Abdullah, Various Artists | D Major | 4 | 10B | 180 BPM | ||
| Ee Prapanchame Illu La Kanipinchindi | Vijay, Rashmika Mandanna, R. Sarath Kumar, Prabhu, Prakash Raj, Shaam, Srikanth, Kushboo, Yogi Babu, Jayasudha, Sangeetha Krish, Samyuktha Shanmughanathan | B Major | 5 | 1B | 177 BPM | ||
| اذان الفجر | منصور الزهراني | A♭ Major | 3 | 4B | 189 BPM | ||
| Sunshine Dust and the Messenger | Dawud Wharnsby-Ali | D Major | 1 | 10B | 124 BPM | ||
| Sala Allah Ala Hachmi | Groupe Al Chaouq | D Major | 2 | 10B | 49 BPM | ||
| Jood Alaina - Be Generous To Us | Shaam | B Minor | 4 | 10A | 167 BPM | ||
| We Should Learn By Seeing Our Past | Vijay, Rashmika Mandanna, R. Sarath Kumar, Prabhu, Prakash Raj, Shaam, Srikanth, Kushboo, Yogi Babu, Jayasudha, Sangeetha Krish, Samyuktha Shanmughanathan | F♯ Major | 4 | 2B | 125 BPM | ||
| Azaan | Muhammad Tahir Qadri | F Major | 4 | 7B | 116 BPM | ||
| قل للذي | ibrahim alrifai | A Minor | 2 | 8A | 79 BPM | ||
| The Begening Of The Light | Al Sheikh Ahmad Alnufais, Al Shebl Esam Al Imlaqi | E Minor | 3 | 9A | 96 BPM |