Kim Richey's ' "Long Way Back" was released on its scheduled release date, January 1, 1999. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Kim Richey's "Glimmer" album is number 11 out of 14. Long Way Back is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Long Way Back by Kim Richey to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| One Good Reason | Lucy Kaplansky | C Minor | 5 | 5A | 176 BPM | ||
| The Other End (Of The Telescope) | 'Til Tuesday | B♭ Major | 4 | 6B | 174 BPM | ||
| Seven Shades of Blue | Beth Nielsen Chapman | G Major | 2 | 9B | 146 BPM | ||
| Take Me for a Ride | Caitlin Canty | C Major | 4 | 8B | 61 BPM | ||
| I Won't Die Alone | Shelby Lynne | A♭ Major | 5 | 4B | 98 BPM | ||
| Feeling of Beauty | Tift Merritt | E♭ Major | 4 | 5B | 97 BPM | ||
| Take The Cake | Kim Richey | F Major | 2 | 7B | 129 BPM | ||
| The Matador | Gretchen Peters | C Major | 1 | 8B | 82 BPM | ||
| Borderline | Eliza Gilkyson | E Major | 5 | 12B | 151 BPM | ||
| Broken White Line | Kris Delmhorst | C Major | 3 | 8B | 71 BPM | ||
| Train to Birmingham | Kevin Welch | E Major | 1 | 12B | 145 BPM | ||
| Chase Wild Horses | Kim Richey | G Major | 4 | 9B | 109 BPM | ||
| Hard Times In Babylon | Eliza Gilkyson | E Major | 3 | 12B | 73 BPM | ||
| Real Good on My Own | Tift Merritt | A Major | 1 | 11B | 71 BPM | ||
| Arguing with Ghosts | Gretchen Peters | G Major | 2 | 9B | 154 BPM | ||
| Sweet Georgia | Malcolm Holcombe | F Minor | 5 | 4A | 106 BPM | ||
| Bramble Rose | Tift Merritt | D Major | 2 | 10B | 80 BPM | ||
| Asking For Flowers | Kathleen Edwards | A Major | 7 | 11B | 112 BPM | ||
| Queen Jane Approximately | Emma Swift | D Major | 7 | 10B | 113 BPM | ||
| Ferris Wheel | Natalie Hemby | G Major | 6 | 9B | 120 BPM | ||
| Memphis | Cry Cry Cry | C Major | 1 | 8B | 119 BPM | ||
| Lovers on Display | Natalie Hemby | D♭ Major | 4 | 3B | 176 BPM | ||
| Don’t Worry About Nothing | Caitlin Canty | B♭ Major | 1 | 6B | 75 BPM | ||
| Whistle on Occasion (feat. Chuck Prophet) | Kim Richey, Chuck Prophet | D♭ Minor | 8 | 12A | 179 BPM | ||
| Driving Home | Cheryl Wheeler | F Major | 2 | 7B | 106 BPM |