"Divine Hybryd" by Inade had its release date on November 17, 2012. This song is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. The song is number 3 out of 8 in Audio Mythology One by Inade. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Divine Hybryd is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Divine Hybryd by Inade is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Xrays | Andrew Hulshult | D♭ Major | 0 | 3B | 83 BPM | ||
| The Starwheel (Clockwise) | Kammarheit | D♭ Major | 1 | 3B | 122 BPM | ||
| Fragmental Intervention | Danilo Wimmer | E♭ Major | 6 | 5B | 88 BPM | ||
| Ancestral Digital Suffering | STUDER, Lost Doll Enigma | D♭ Major | 6 | 3B | 110 BPM | ||
| Abyssanctum | Sephiroth | B♭ Minor | 4 | 3A | 84 BPM | ||
| Exctinction | Eximia | D♭ Major | 2 | 3B | 142 BPM | ||
| The Basalt Massif | Gustaf Hildebrand | B Minor | 3 | 10A | 118 BPM | ||
| And Hell Followed | Randal Collier-Ford | C Major | 4 | 8B | 80 BPM | ||
| Ultra Septima | Monasterium Imperi | E♭ Major | 3 | 5B | 120 BPM | ||
| Beyond These Shores | Dead Melodies | C Major | 0 | 8B | 71 BPM | ||
| New Risen Throne (I) | New Risen Throne | G Major | 4 | 9B | 76 BPM | ||
| Stalked | Andrew Hulshult | D♭ Major | 0 | 3B | 83 BPM | ||
| Tenebrous | Apocryphos | G Major | 3 | 9B | 89 BPM | ||
| Acceptance of Inner Self | Halgrath | E Major | 2 | 12B | 144 BPM | ||
| Mindbreak | Coltrin Compositions | G Major | 6 | 9B | 128 BPM | ||
| My Prayer Devours | Terran Wretch | D♭ Major | 0 | 3B | 83 BPM | ||
| Nyctophilia | Fabrizio Brugnera | G Minor | 2 | 6A | 81 BPM | ||
| The Nine Colours of the Threshold | Inade | D Major | 8 | 10B | 171 BPM | ||
| Dark Father | Sephiroth | B♭ Minor | 4 | 3A | 84 BPM | ||
| The Ominous | Randal Collier-Ford | C Minor | 2 | 5A | 78 BPM | ||
| Vorah | Treha Sektori | G Minor | 4 | 6A | 145 BPM | ||
| The Ossuary | Council of Nine | E Minor | 6 | 9A | 132 BPM | ||
| Torus | Elijah B Torn, David Torn | A Major | 5 | 11B | 76 BPM | ||
| Unveiling the Ancients | Coltrin Compositions | F Minor | 3 | 4A | 86 BPM | ||
| Bell Ringing I | Wordclock | F♯ Minor | 2 | 11A | 111 BPM |