Giulio Caccini, Hugh Martin, Ralph Blane, Aled Jones, Russell Watson, Tom Rainey's 'Ave Maria (Arr. by Fiona Pears & Ian Tilley)' had a release date set for November 1, 2019. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 14 in Back in Harmony by Hugh Martin, Ralph Blane, Aled Jones, Russell Watson. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Ave Maria (Arr. by Fiona Pears & Ian Tilley)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ave Maria (Arr. by Fiona Pears & Ian Tilley) by Giulio Caccini, Hugh Martin, Ralph Blane, Aled Jones, Russell Watson, Tom Rainey is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rusalka: Song to the Moon | Antonín Dvořák, Olga Peretyatko, Miguel Gomez-Martinez | F♯ Major | 2 | 2B | 89 BPM | ||
| Petite messe solennelle: Kyrie | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone | C Major | 0 | 8B | 120 BPM | ||
| Concerto in D Minor, BWV 974: II. Adagio | Johann Sebastian Bach, Alessandro Marcello, Khatia Buniatishvili | D Minor | 0 | 7A | 73 BPM | ||
| Elgar: Salut d'amour, Op. 12 (Version for Cello and Piano) | Edward Elgar, Edgar Moreau, Pierre-Yves Hodique | D Major | 1 | 10B | 83 BPM | ||
| Enigma Variations. Nimrod: Lux Aeterna | Edward Elgar, London Choral Sinfonia | E Major | 1 | 12B | 87 BPM | ||
| I Colori della Gioia | Jan van der Roost, Anneke Luyten, Casco Phil | D Major | 2 | 10B | 68 BPM | ||
| Vere languores nostros, IAL 32 | Antonio Lotti, Pro Musica, Szabó Dénes | A♭ Major | 0 | 4B | 71 BPM | ||
| Amen | Hannah Holgersson, Steve Dobrogosz | A♭ Major | 1 | 4B | 80 BPM | ||
| Amarilli mia bella | Giulio Caccini, Janet Baker, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 1 | 6A | 107 BPM | ||
| Nuove musiche e nuova maniera di scriverle: No. 9, Ch’io non t’ami, cor moi | Giulio Caccini, Xavier Diaz-Latorre, Furio Zanasi | E Major | 1 | 12B | 111 BPM | ||
| St. Matthew Passion, BWV 244, Pt. 2: No. 39, Aria. Erbarme dich (Alto) | Johann Sebastian Bach, Anne Sofie von Otter, Fredrik From, Baroque Concerto Copenhagen, Lars Ulrik Mortensen | B♭ Minor | 1 | 3A | 79 BPM | ||
| Concerto in D Minor for Oboe, Strings and Continuo: II. Adagio | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso, Andrea Mion | D♭ Minor | 1 | 12A | 68 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 80 BPM | ||
| Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
| Requiem (Arr. Johnson) | Eliza Gilkyson, Conspirare, Craig Hella Johnson | B♭ Major | 0 | 6B | 82 BPM | ||
| Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Melodie" (Arr. I. Friedman) | Christoph Willibald Gluck, Yoonie Han | D Minor | 0 | 7A | 77 BPM | ||
| Air Bach - Live | Wendy Kokkelkoren | E Minor | 8 | 9A | 126 BPM | ||
| Elegia | Edith Sohlström, SRK Musiikki | D Major | 1 | 10B | 177 BPM | ||
| Albinoni: Adagio in G Minor | Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 90 BPM | ||
| Ave Maria | Orereta abesbatza, Giulio Caccini | F Minor | 1 | 4A | 77 BPM | ||
| Agnus Dei (based on ADAGIO for Strings) | John Barry, Samuel Barber | B♭ Minor | 0 | 3A | 71 BPM | ||
| Abendlied | Les Occasionnels | F Major | 1 | 7B | 76 BPM | ||
| Cinema Paradiso Theme - From "Cinema Paradiso" | Orchestre Filmharmonique, Francis Choinière | F Major | 1 | 7B | 78 BPM | ||
| Udite amanti | Giulio Caccini, Christina Pluhar, Paulina Van Laarhoven, Eero Palviainen, Francisco Gato, Vincent Libert | G Major | 0 | 9B | 120 BPM | ||
| Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Royal Concertgebouw Orchestra, John Eliot Gardiner | F Major | 0 | 7B | 173 BPM |