Robert Lepley, Chris Carroll, Sam Dillon, Nathan Peck's ' "Fourth Blues" was released on its scheduled release date, March 5, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Robert Lepley's "MacDougal St., NYC" album is number 2 out of 18. Based on our statistics, Fourth Blues's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Fourth Blues by Robert Lepley, Chris Carroll, Sam Dillon, Nathan Peck to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Speak Low | Tsuyoshi Yamamoto, Tsuyoshi Yamamoto Trio | A♭ Major | 2 | 4B | 108 BPM | ||
| Pink Panther's Troubles | Leonardo Cesari Jazz Combo | B♭ Major | 4 | 6B | 113 BPM | ||
| The Love That Remains | Elian Tumbao | G Minor | 5 | 6A | 129 BPM | ||
| Listen to My Story | 板橋文夫 | D Minor | 3 | 7A | 88 BPM | ||
| Minor Adjustment | David Hazeltine, Peter Washington, Joe Farnsworth | F♯ Minor | 4 | 11A | 126 BPM | ||
| Antigua Villa | Cubalibre Jazz | D Minor | 3 | 7A | 174 BPM | ||
| Sweet Lorraine | George Shearing Trio | G Major | 1 | 9B | 118 BPM | ||
| Lady Face | Geoff Gascoyne, Dave O'Higgins, Sebastiaan De Krom, Graham Harvey | A♭ Major | 3 | 4B | 178 BPM | ||
| Moulde the Orphan | Milley Marin | A♭ Major | 2 | 4B | 174 BPM | ||
| Retro Glow Flow | Dolce Vita | E♭ Minor | 3 | 2A | 116 BPM | ||
| Happy Mood | 321Jazz | C Major | 3 | 8B | 94 BPM | ||
| Punjab | Benny Green | F♯ Minor | 2 | 11A | 141 BPM | ||
| Put On A Happy Face | Bill Charlap, Kenny Washington, Peter Washington | A♭ Major | 4 | 4B | 123 BPM | ||
| Countdown | Brad Mehldau | C Major | 3 | 8B | 81 BPM | ||
| Airegin | Brad Mehldau | D♭ Major | 4 | 3B | 151 BPM | ||
| Had It Happened | Art Hirahara, Joe Martin, Rudy Royston | A♭ Major | 3 | 4B | 106 BPM | ||
| 6 a.m. Elevated | Sebastian Weiss, Dan Weiss, Miguel Zenón | C Major | 1 | 8B | 89 BPM | ||
| Charlie Brown Theme | David Benoit | G Major | 2 | 9B | 63 BPM | ||
| Wind Scene (Chrono Trigger) | The Consouls | D Minor | 3 | 7A | 127 BPM | ||
| Morning Brews | Breakfast Jazz | C Major | 0 | 8B | 80 BPM | ||
| It Might as Well Be Spring | Brad Mehldau | C Major | 4 | 8B | 136 BPM | ||
| For Milt | Bobby Watson | E Minor | 6 | 9A | 113 BPM | ||
| I Waited For You | Joe Lovano | F Major | 1 | 7B | 116 BPM | ||
| This Can't Be Love | Ellis Marsalis | C Major | 3 | 8B | 121 BPM | ||
| Bruz | Jan Lundgren Trio | B♭ Major | 3 | 6B | 98 BPM |