"Vima" by Charlie Ryan had its release date on September 19, 2025. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Vima's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 10 in Aletheia by Charlie Ryan. In terms of popularity, Vima is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Vima by Charlie Ryan is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Timelines | Solis | C Major | 4 | 8B | 140 BPM | ||
| Riding At Dawn | Luke Richards | D Major | 4 | 10B | 90 BPM | ||
| Topaz | Paul Leonard-Morgan | C Minor | 4 | 5A | 90 BPM | ||
| Legends Unleashed | Phase Drift | A Minor | 6 | 8A | 82 BPM | ||
| The Ghosts Above | Logan Nelson | B Minor | 3 | 10A | 140 BPM | ||
| The Racer | Tristan Barton | A Minor | 4 | 8A | 109 BPM | ||
| Hard Way | TURPAK | D♭ Major | 4 | 3B | 109 BPM | ||
| I’m Not Afraid Anymore | Dan Romer | G Minor | 2 | 6A | 75 BPM | ||
| Flew Too Close to the Sun | Stephen Keech | D Minor | 2 | 7A | 84 BPM | ||
| Сrystalline | Romeo | E♭ Minor | 4 | 2A | 94 BPM | ||
| Opus Majestic | Romeo | D♭ Minor | 7 | 12A | 81 BPM | ||
| The Call of Raven's Hollow | Zachary Heyde, Zach Heyde | A Major | 4 | 11B | 140 BPM | ||
| The Rise | Letra | A Minor | 5 | 8A | 180 BPM | ||
| Vulpecula | Johannes Bornlöf | F♯ Minor | 2 | 11A | 78 BPM | ||
| Fate's Symphony | Dream Cave | F Minor | 5 | 4A | 85 BPM | ||
| The Last Ascent | David Buckley | G Minor | 2 | 6A | 75 BPM | ||
| Synergy | TURPAK | D♭ Minor | 3 | 12A | 87 BPM | ||
| Sorry | Patrik Andrén | A♭ Major | 3 | 4B | 87 BPM | ||
| Folie A Deux | Jonathon Deering | C Major | 3 | 8B | 79 BPM | ||
| Intrepid | Brianna Tam | D Minor | 2 | 7A | 120 BPM | ||
| Digital Abyss | Stephen Keech | C Minor | 5 | 5A | 160 BPM | ||
| Into Infinity | Dream Cave | F Major | 4 | 7B | 134 BPM | ||
| We Will Meet in Paradise | Mofjell | F♯ Major | 3 | 2B | 64 BPM | ||
| Brave New World | Fringe Element | C Major | 3 | 8B | 130 BPM | ||
| Gravitated | Edgar Hopp | B Minor | 5 | 10A | 109 BPM |