"Sea Fever" by John Ireland, Roderick Williams, Iain Burnside had its release date on May 27, 2008. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Sea Fever's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John Ireland, Roderick Williams's "Ireland: 5 Poems / We'Ll To the Woods No More / Sea Fever / Santa Chiara (English Song, Vol. 18)" album is number 5 out of 27. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Sea Fever is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Sea Fever by John Ireland, Roderick Williams, Iain Burnside to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Il est bel et bon | Pierre Passereau, Amarcord | A Minor | 1 | 8A | 121 BPM | ||
| The Sacred Veil: II. In a Dark and Distant Year | Eric Whitacre, Los Angeles Master Chorale, Jeffrey Zeigler, Lisa Edwards | B♭ Minor | 1 | 3A | 77 BPM | ||
| I attempt from love's sickness | John Mark Ainsley, Iain Burnside | A Major | 0 | 11B | 110 BPM | ||
| The Blue Bird | Charles Villiers Stanford, Cantorum Chamber Choir, Melissa Heath, Steve Durtschi | F♯ Major | 1 | 2B | 124 BPM | ||
| The Sweetheart of the Sun | Eric William Barnum, Choral Arts, Robert Bode | D Major | 1 | 10B | 131 BPM | ||
| …which was the son of… | Arvo Pärt, Estonian Philharmonic Chamber Choir, Paul Hillier | D Major | 0 | 10B | 86 BPM | ||
| Old American Songs I: V. I Bought me a Cat (Arr. I. Fine) | Aaron Copland, Nathaniel Stampley, St. Charles Singers, Elgin Symphony Orchestra, Robert Hanson | F Major | 2 | 7B | 94 BPM | ||
| A Child of Our Time, Part II: Scena. O My Son! | Michael Tippett, Edward Gardner, London Philharmonic Orchestra, Nadine Benjamin, Kenneth Tarver, Sarah Connolly, Roderick Williams | A Major | 1 | 11B | 89 BPM | ||
| Songs of the Fleet, Op. 117: II. The Song of the Sou'Wester | Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales | C Major | 2 | 8B | 89 BPM | ||
| Greater Love Hath No Man | John Ireland, Choir of St. John's College, Cambridge, Cambridge, Andrew Nethsingha, Alexander Tomkinson, Augustus Perkins Ray, Edward Picton-Tubervill | D Major | 1 | 10B | 77 BPM | ||
| All-night Vigil, Op. 37: No. 6, Rejoice, O Virgin Mother | Sergei Rachmaninoff, Latvijas Radio koris, Sigvards Kļava | G Minor | 0 | 6A | 144 BPM | ||
| Requiem for the Living: III. Agnus Dei | Dan Forrest, Bel Canto Company, Donovan Elliot, Lindsey McConville Gallagher, Welborn Young | D♭ Major | 2 | 3B | 73 BPM | ||
| Das Verlassene Mägdlein | Hugo Wolf, Barbara Hendricks | A Minor | 0 | 8A | 70 BPM | ||
| Chanson triste | Henri Duparc, Véronique Gens, Susan Manoff | C Major | 1 | 8B | 107 BPM | ||
| The Hills | John Ireland, Hallé, Lyn Fletcher, Halle Choir, Sir Mark Elder | B♭ Major | 1 | 6B | 70 BPM | ||
| Come away, death, Op. 6 No. 1 | Ian Bostridge, Julius Drake | G Minor | 0 | 6A | 109 BPM | ||
| The Lake Isle of Innisfree | Ben Moore, Lawrence Brownlee, Iain Burnside | C Major | 1 | 8B | 74 BPM | ||
| Inflammatus et accensus | Kim André Arnesen, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Thomas Berg-Juul | B Minor | 0 | 10A | 173 BPM | ||
| Lay a garland on her hearse | Robert Lucas Pearsall, Pre-Raphaelite Singer, The, Anthony Rooley | A Minor | 0 | 8A | 69 BPM | ||
| The Sacred Veil: VI. I’m Afraid | Eric Whitacre, Los Angeles Master Chorale, Jeffrey Zeigler, Lisa Edwards | C Minor | 1 | 5A | 71 BPM | ||
| Choral Hymns from the Rig Veda, 3rd Group, Op. 26: No. 1, Hymn to the Dawn | Gustav Holst, Etherea Vocal Ensemble, Grace Cloutier, Derek Greten-Harrison | G Major | 0 | 9B | 79 BPM | ||
| Mass for Four Voices: Kyrie | William Byrd, Christ Church Cathedral Choir, Stephen Darlington | F Minor | 1 | 4A | 80 BPM | ||
| The Passing of the Year: No. 7, Ring out, wild bells | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | E Minor | 0 | 9A | 73 BPM | ||
| A Downland Suite: III. Minuet | John Ireland, Sinfonia Of London, John Wilson | B♭ Major | 0 | 6B | 118 BPM | ||
| Bredon Hill and Other Songs: No. 1, Bredon Hill | George Butterworth, Roderick Williams, Iain Burnside | A♭ Major | 2 | 4B | 129 BPM |