Touché Amoré's 'Scene Is to Be Seen' had a release date set for September 16, 2008. For a fairly short song, this song is "Scene Is to Be Seen" is considered an explicit song with a duration of 1:34. There are a total of 8 in the song's album "Touché Amoré". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, Scene Is to Be Seen's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Scene Is to Be Seen by Touché Amoré having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Steps | Touché Amoré | D♭ Major | 10 | 3B | 157 BPM | ||
| Tillary | Drug Church | G Major | 9 | 9B | 119 BPM | ||
| Marissa Wendolovske | End Of A Year | G Major | 9 | 9B | 92 BPM | ||
| Hal Ashby | Touché Amoré | A♭ Minor | 10 | 1A | 101 BPM | ||
| Stranger | Can't Swim | D Major | 8 | 10B | 145 BPM | ||
| Mezzanine | Touché Amoré | A♭ Minor | 10 | 1A | 101 BPM | ||
| Torches Together | mewithoutYou | D♭ Minor | 7 | 12A | 132 BPM | ||
| Buses/No Buses | Bear Vs. Shark | B Minor | 9 | 10A | 103 BPM | ||
| Cathedrals | Birds in Row | C Minor | 10 | 5A | 122 BPM | ||
| Warm Blood Rush | Defeater | D Minor | 10 | 7A | 95 BPM | ||
| Hopeless Again | Defeater | G Minor | 10 | 6A | 117 BPM | ||
| Hard To Breathe | VERSE | E Minor | 8 | 9A | 80 BPM | ||
| Sleep | Casey | E Minor | 9 | 9A | 164 BPM | ||
| Scream | VERSE | F♯ Major | 8 | 2B | 90 BPM | ||
| Looks Like Nothing | Foxing | G Major | 9 | 9B | 110 BPM | ||
| Wash Away | Ambleside | A♭ Minor | 9 | 1A | 160 BPM | ||
| Calling Hours | Bane | A Major | 10 | 11B | 75 BPM | ||
| Exit Row | Touché Amoré | D♭ Minor | 10 | 12A | 166 BPM | ||
| Big Sea | Crash Of Rhinos | C Major | 8 | 8B | 81 BPM | ||
| Hollow Place | Polar Bear Club | D Major | 10 | 10B | 85 BPM | ||
| Eight Seconds | Touché Amoré | F Minor | 10 | 4A | 170 BPM | ||
| Revival Fires | Modern Life Is War | F Minor | 7 | 4A | 137 BPM | ||
| Code Red | The Casket Lottery | B Minor | 8 | 10A | 154 BPM | ||
| Lead To Gray | One Step Closer | E Minor | 10 | 9A | 174 BPM | ||
| Spousal Loss | Fiddlehead | B Minor | 10 | 10A | 143 BPM |