"Sextet for string quartet, clarinet and piano: 1. Allegro vivace -" by Aaron Copland, RTÉ Vanbrugh Quartet, Michael Collins, Martin Roscoe had its release date on January 1, 2000. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 10 in Copland: Sextet; Piano Quartet; Vitebsk; 2 Pieces for string quartet by Aaron Copland, RTÉ Vanbrugh Quartet, Martin Roscoe, Michael Collins. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Sextet for string quartet, clarinet and piano: 1. Allegro vivace - is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sextet for string quartet, clarinet and piano: 1. Allegro vivace - by Aaron Copland, RTÉ Vanbrugh Quartet, Michael Collins, Martin Roscoe is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony in E Minor, Op. 32, "Gaelic Symphony": IV. Allegro di molto | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | E Minor | 2 | 9A | 117 BPM | ||
| Wood Notes: I. Singing River: Moderately slow | William Grant Still, Fort Smith Symphony, John Jeter | F Minor | 0 | 4A | 112 BPM | ||
| The Firebird Suite (1919 Version): Finale - 2017 Remastered Version | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | E Major | 3 | 12B | 78 BPM | ||
| Irish Tune from County Derry | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | E♭ Major | 2 | 5B | 101 BPM | ||
| The Tender Land: Finale - The Promise of Living - Orchestral suite from the opera | Aaron Copland | F Major | 1 | 7B | 70 BPM | ||
| Carnival Overture, Op. 92 | Antonín Dvořák, Leonard Bernstein, New York Philharmonic | D Major | 3 | 10B | 145 BPM | ||
| Symphony No. 2 in B Minor: I. Allegro | Alexander Borodin, Carlos Kleiber, Radio Sinfonieorchester Stuttgart des SWR | G Major | 3 | 9B | 137 BPM | ||
| Simple Symphony, Op. 4: Frolicsome Finale | Benjamin Britten, Royal Northern Sinfonia, Steuart Bedford | G Major | 2 | 9B | 155 BPM | ||
| 3 Small Tone Poems: No. 1, Summer Evening | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | E Minor | 0 | 9A | 71 BPM | ||
| The Firebird Suite (1919 Version): VII. Finale | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | D♭ Minor | 2 | 12A | 73 BPM | ||
| St. Paul's Suite, Op. 29 No. 2: IV. Finale, "the Dargason" | Gustav Holst, English Sinfonia, Howard Griffiths | D♭ Major | 0 | 3B | 66 BPM | ||
| Ye Banks And Braes O' Bonnie Doon | Percy Grainger, Slovak Radio Symphony Orchestra | F Major | 1 | 7B | 78 BPM | ||
| The Sorcerer's Apprentice | Paul Dukas, Leonard Bernstein, New York Philharmonic | D♭ Major | 5 | 3B | 129 BPM | ||
| Pines of Rome, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | C Minor | 1 | 5A | 90 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
| Symphonic Metamorphoses on Themes of Carl Maria von Weber: III. Andantino | Paul Hindemith, Leonard Bernstein, New York Philharmonic | F Minor | 1 | 4A | 84 BPM | ||
| Appalachian Spring: VII. Doppio movimento | Aaron Copland, New York Philharmonic, Leonard Bernstein | C Major | 0 | 8B | 84 BPM | ||
| Suite No. 2, P. 138: III. Campanae Parisiennses - Aria: Andante Mosso | Ottorino Respighi, RTÉ National Symphony Orchestra | C Major | 0 | 8B | 76 BPM | ||
| Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: II. Andantino in moto di canzone | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | B♭ Minor | 0 | 3A | 82 BPM | ||
| Miss Melanie | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | A Major | 0 | 11B | 109 BPM | ||
| The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Orchestre Symphonique de Montréal, Charles Dutoit | G Minor | 2 | 6A | 136 BPM | ||
| Respighi: Trittico botticelliano, P. 151: I. La Primavera | Ottorino Respighi, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 2 | 11B | 137 BPM | ||
| Summer Music | Arnold Bax, Bryden Thomson, Ulster Orchestra | F Major | 0 | 7B | 73 BPM | ||
| Prelude: 49th Parallel | Ralph Vaughan Williams, Northern Sinfonia of England/Bradley Creswick/Richard Hickox, Richard Hickox, Northern Sinfonia Of England | G Major | 1 | 9B | 84 BPM | ||
| The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Leonard Bernstein, New York Philharmonic | C Minor | 3 | 5A | 60 BPM |