Manon Lescaut: In quelle trine morbide by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Marcella Polidori Song Details

"Manon Lescaut: In quelle trine morbide" by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Marcella Polidori had its release date on May 15, 2012. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Manon Lescaut: In quelle trine morbide's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 55 in the song's album "Ultimate Opera Collection: Greatest Arias of All Time". In this album, this song's track order is #51. The popularity of Manon Lescaut: In quelle trine morbide is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Manon Lescaut: In quelle trine morbide by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Marcella Polidori having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.

Music Key

F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -18.493 dB
Acousticness: 99%
Danceability: 21%
Energy: 10%
Instrumentalness: 19%
Liveness: 10%
Loudness: 69%
Speechiness: 5%
Valence: 3%

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