BIG SPECIAL's 'BLACK DOG / WHITE HORSE - Acoustic Version' had a release date set for February 21, 2025. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 26 in the song's album "POSTINDUSTRIAL HOMETOWN BLUES (Deluxe)". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, BLACK DOG / WHITE HORSE - Acoustic Version is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With BLACK DOG / WHITE HORSE - Acoustic Version by BIG SPECIAL having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Go and Leave me | The Deadlians | C Major | 4 | 8B | 118 BPM | ||
| SHOP MUSIC. | BIG SPECIAL | C Major | 8 | 8B | 129 BPM | ||
| Pilgrim - Denmark Street Session | Fink | A Major | 4 | 11B | 103 BPM | ||
| Wednesday | Porridge Radio | C Major | 2 | 8B | 162 BPM | ||
| Settlers Blues | Primal Scream | B♭ Minor | 8 | 3A | 148 BPM | ||
| You're Not There | Arab Strap | E Minor | 5 | 9A | 103 BPM | ||
| The Beginning | Meryl Streek | B Minor | 1 | 10A | 82 BPM | ||
| The Hungry Grass | Adrian Crowley | C Major | 4 | 8B | 68 BPM | ||
| Sex, Death, & Choices | William Crighton | E Major | 4 | 12B | 114 BPM | ||
| The Great Meadow | Sun Kil Moon | C Major | 1 | 8B | 130 BPM | ||
| Working Harder | The Bony King of Nowhere | B♭ Major | 5 | 6B | 124 BPM | ||
| The Ladder | The Veils | D Minor | 4 | 7A | 124 BPM | ||
| Looking Too Closely - Denmark Street Session | Fink | D Major | 5 | 10B | 168 BPM | ||
| Felt Better Alive | Peter Doherty | E♭ Major | 2 | 5B | 175 BPM | ||
| Swimming In The Quarry | Adrian Crowley | C Major | 2 | 8B | 140 BPM | ||
| Town Lights Fade | Chris Eckman | D♭ Major | 3 | 3B | 125 BPM | ||
| Hear Us All | Susan O'Neill | F♯ Minor | 3 | 11A | 89 BPM | ||
| Mortal Wound | The Veils | E Major | 4 | 12B | 176 BPM | ||
| Darkness Song | Asaf Avidan | E♭ Major | 1 | 5B | 118 BPM | ||
| Reservoir | Brown Horse | D Major | 2 | 10B | 101 BPM | ||
| You Blister My Paint | English Teacher | C Major | 3 | 8B | 110 BPM | ||
| Homeless In The Thousands (Dublin In The Digital Age) | Lisa O'Neill, Peter Doherty | G Major | 4 | 9B | 103 BPM | ||
| Leave No Traces | John Bramwell | F Major | 4 | 7B | 127 BPM | ||
| Teeth of Time/Mountain | Joshua Burnside | D Major | 1 | 10B | 133 BPM | ||
| Like a Lover | Loren Kramar | D♭ Major | 1 | 3B | 169 BPM |