"Infinite Abyss (feat. Mark Russell)" by Lucid Production Music, Mark Russell had its release date on September 8, 2021. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Infinite Abyss (feat. Mark Russell)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Lucid Production Music's "Innovative Drama - Dark Soundscapes (feat. Mark Russell)" album is number 1 out of 12. Infinite Abyss (feat. Mark Russell) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Infinite Abyss (feat. Mark Russell) by Lucid Production Music, Mark Russell to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Leaves Expanded May Be Prevailing Blue Mixed with Yellow of the Sand | Shane Carruth | B♭ Minor | 2 | 3A | 105 BPM | ||
| inside noises | Swik, Alessandro Penna, Davide Nigro | C Major | 3 | 8B | 81 BPM | ||
| Annihilation | Ben Salisbury, Geoff Barrow | E♭ Major | 1 | 5B | 92 BPM | ||
| Ascesa All'Infinito | Non Binary | E Major | 0 | 12B | 70 BPM | ||
| Hypnosis | Patrick Watson | E♭ Minor | 2 | 2A | 106 BPM | ||
| Ice Caverns A | Valkyrion | A Minor | 1 | 8A | 114 BPM | ||
| Gotham City, 1986 | Christopher Drake | A Major | 3 | 11B | 73 BPM | ||
| Vida jättars väg | Atrium Carceri, Herbst9 | B♭ Minor | 1 | 3A | 144 BPM | ||
| Time Travel | Pinar Toprak | F Major | 4 | 7B | 98 BPM | ||
| Before the Rain | 2814 | A Minor | 4 | 8A | 116 BPM | ||
| Memory | Hans Zimmer, Benjamin Wallfisch | G Minor | 2 | 6A | 69 BPM | ||
| XVII - The Explorer | fingerspit | G Major | 6 | 9B | 176 BPM | ||
| Catacombs | Tom Tykwer, Johnny Klimek, Reinhold Heil | F Major | 1 | 7B | 77 BPM | ||
| One Way Trip | Sarah Schachner | A Major | 3 | 11B | 130 BPM | ||
| I Think I Should Start At The Beginning | David Wingo | G Major | 1 | 9B | 144 BPM | ||
| Enter Skag Gully | Raison Varner | C Major | 2 | 8B | 175 BPM | ||
| Frozen Logic | Antonio Gradanti, Interleave | G Minor | 2 | 6A | 121 BPM | ||
| Rocky Mountain Hallows (feat. Christopher Warner) | Lucid Production Music, Christopher Warner | E♭ Minor | 3 | 2A | 90 BPM | ||
| Abyss of the Sea | Kevin Penkin | C Major | 2 | 8B | 72 BPM | ||
| A New Mission | Volker Bertelmann, Dustin O'Halloran | B Major | 6 | 1B | 174 BPM | ||
| Gravity Core | Between Interval | A Minor | 0 | 8A | 137 BPM | ||
| Feros | Jack Wall, EA Games Soundtrack | D♭ Major | 3 | 3B | 110 BPM | ||
| Elysium | Ryan Amon | A Minor | 2 | 8A | 110 BPM | ||
| A Spark Forged in Ash | HOYO-MiX | F Minor | 2 | 4A | 110 BPM | ||
| Tales of Iceland | Trevor Morris | C Minor | 1 | 5A | 108 BPM |