"Taking Control" by Last Chance To Reason had its release date on April 12, 2011. With This song being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Last Chance To Reason's "Level 2" album is number 3 out of 10. On top of that, United States appears to be the country where this track was created. The popularity of Taking Control is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Taking Control by Last Chance To Reason to be Presto (very, very fast) because the track has a tempo of 180 BPM, a half-time of 90BPM, and a double-time of 360 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| From Vanity To Utility | The HAARP Machine | C Major | 10 | 8B | 180 BPM | ||
| Rampancy | Wide Eyes, Charles Caswell | F♯ Major | 10 | 2B | 104 BPM | ||
| Patterns | The Human Abstract | A Minor | 9 | 8A | 180 BPM | ||
| Treetops (Instrumental) | Corelia | C Major | 9 | 8B | 120 BPM | ||
| The Holy Mountain | Slice The Cake | D Major | 9 | 10B | 92 BPM | ||
| Lost Luminaries | Mandroid Echostar | F Major | 10 | 7B | 120 BPM | ||
| Ji | Periphery | B♭ Minor | 10 | 3A | 105 BPM | ||
| The Unlikely Event of a Water Landing | Intronaut | A♭ Minor | 7 | 1A | 145 BPM | ||
| Survivor's Guilt | Pangaea | F Minor | 9 | 4A | 132 BPM | ||
| The Inborn Mechanics | Coprofago | C Major | 8 | 8B | 180 BPM | ||
| Elegance and Grace | Shattered Skies | F♯ Major | 6 | 2B | 155 BPM | ||
| The Sound of Glaciers Moving | Corelia | F♯ Minor | 8 | 11A | 138 BPM | ||
| Summer Rain | SikTh | D♭ Major | 10 | 3B | 144 BPM | ||
| Flying | Karmanjakah | A♭ Major | 8 | 4B | 135 BPM | ||
| Matrioshka | Stellar Circuits | C Major | 9 | 8B | 150 BPM | ||
| Enter the Limbo | The Dali Thundering Concept, Aaron Matts, Clem RICHARD | F♯ Minor | 10 | 11A | 113 BPM | ||
| Mazes | Artificial Language | G Major | 10 | 9B | 115 BPM | ||
| Escape from Brinstar | Last Chance To Reason | F Major | 6 | 7B | 83 BPM | ||
| Lila | Alluvial | D♭ Major | 9 | 3B | 118 BPM | ||
| Through the Sands of Time | TEMIC | F Minor | 10 | 4A | 116 BPM | ||
| We Are Free | Distorted Harmony | A Major | 10 | 11B | 141 BPM | ||
| Pressure | Rendezvous Point | F♯ Minor | 8 | 11A | 69 BPM | ||
| Parhelion | Ihlo | D♭ Minor | 9 | 12A | 114 BPM | ||
| Messengers | Textures | F♯ Major | 8 | 2B | 125 BPM | ||
| Stars Abound | AURAS | G Minor | 9 | 6A | 110 BPM |