Dillard & Clark's ' "Lyin' Down The Middle" was released on its scheduled release date, 1968. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Lyin' Down The Middle's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "The Fantastic Expedition Of Dillard & Clark (Expanded Edition)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Lyin' Down The Middle is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Lyin' Down The Middle by Dillard & Clark having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Speak Your Mind | Marc Benno | B Major | 4 | 1B | 142 BPM | ||
| Treat Me Like A Saturday Night - 2022 Remaster | Joe Ely | B Major | 5 | 1B | 81 BPM | ||
| Anymore For Anymore | Ronnie Lane | C Major | 4 | 8B | 184 BPM | ||
| My Guitar | Sandy Harless | G Major | 3 | 9B | 135 BPM | ||
| Don't Spoil It Now | Richard Goldman | G Major | 5 | 9B | 142 BPM | ||
| She Carries A Child | Cowboy | D Major | 3 | 10B | 67 BPM | ||
| Everything Happens | Fred Neil | G Major | 4 | 9B | 113 BPM | ||
| Tell It True | Kathy Heideman | A♭ Major | 3 | 4B | 181 BPM | ||
| Portland Water | Michael Hurley | G Major | 3 | 9B | 73 BPM | ||
| Long Face | Bobby Charles | D♭ Major | 4 | 3B | 108 BPM | ||
| Tree House Lullaby | Blaze Foley | G Major | 2 | 9B | 162 BPM | ||
| Still With You | Caroline Peyton | G Major | 6 | 9B | 129 BPM | ||
| Do You Know How It Feels to Be Lonesome? | The International Submarine Band | D Major | 4 | 10B | 111 BPM | ||
| Till The Moon Don’t Shine | Female Species | D♭ Major | 3 | 3B | 84 BPM | ||
| Let Me Be Your Player | Jimmy Carter and Dallas County Green | D Major | 6 | 10B | 143 BPM | ||
| Sin City | The Flying Burrito Brothers | E♭ Major | 3 | 5B | 129 BPM | ||
| I Don't Want To Play | Ellen McIlwaine | B Major | 8 | 1B | 168 BPM | ||
| Franny | Marc Benno | D Major | 6 | 10B | 147 BPM | ||
| The Radio Song | Gene Clark | F♯ Minor | 5 | 11A | 143 BPM | ||
| Old Man at the Mill | Ian Matthews | B Major | 7 | 1B | 144 BPM | ||
| If I Stay Too Long | The Creation | A Major | 6 | 11B | 88 BPM | ||
| I Used to Be a King | Graham Nash | F Major | 5 | 7B | 113 BPM | ||
| Time Forgot (To Change My Heart) | Daniel Romano | F Major | 5 | 7B | 118 BPM | ||
| The Dolphins | Fred Neil | D Major | 4 | 10B | 123 BPM | ||
| Another Day Goes Down | Bill Jerpe | E Major | 4 | 12B | 104 BPM |