Fontella Bass's ' "Come And Get These Memories" was released on its scheduled release date, January 1, 1966. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Come And Get These Memories's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "The New Look". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Based on our statistics, Come And Get These Memories's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Come And Get These Memories by Fontella Bass having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Little Bitty Pretty One | Thurston Harris | A♭ Major | 9 | 4B | 88 BPM | ||
| Poor Little Fool (feat. Tina Turner) | Fontella Bass, Tina Turner | E♭ Major | 8 | 5B | 178 BPM | ||
| Jimmy Mack | Martha Reeves & The Vandellas | D Major | 5 | 10B | 127 BPM | ||
| Oh, No, Not My Baby | Fontella Bass | G Major | 5 | 9B | 100 BPM | ||
| Mojo Hannah | Esther Phillips | F♯ Major | 7 | 2B | 83 BPM | ||
| Destination: Anywhere | The Marvelettes | G Minor | 6 | 6A | 117 BPM | ||
| Walkin' up a One Way Street | Willie Tee | D♭ Major | 5 | 3B | 124 BPM | ||
| What Becomes of the Broken Hearted | The Contours | F Major | 6 | 7B | 107 BPM | ||
| Jimaine's Creation | David Murray, Fontella Bass | F Major | 1 | 7B | 122 BPM | ||
| Yeh, Yeh | Georgie Fame & The Blue Flames | E♭ Major | 5 | 5B | 89 BPM | ||
| Take Me In Your Arms (Rock Me A Little While) | Kim Weston | E♭ Major | 8 | 5B | 178 BPM | ||
| (Today I Met) The Boy I'm Gonna Marry | Darlene Love | D♭ Minor | 7 | 12A | 138 BPM | ||
| Candy To Me | Eddie Holland | C Major | 7 | 8B | 122 BPM | ||
| (Your Love Keeps Lifting Me) Higher & Higher | Erma Franklin | D Major | 8 | 10B | 189 BPM | ||
| Everybody Needs Love | Jimmy Ruffin | B♭ Major | 6 | 6B | 120 BPM | ||
| Just One Look | Doris Troy | F Major | 4 | 7B | 108 BPM | ||
| Helpless | Kim Weston | E♭ Major | 8 | 5B | 178 BPM | ||
| Nowhere To Run | Martha Reeves & The Vandellas | D Minor | 8 | 7A | 129 BPM | ||
| Party Lights | Claudine Clark | C Major | 9 | 8B | 135 BPM | ||
| The Boy From New York City | The Ad Libs | B Major | 9 | 1B | 149 BPM | ||
| The Way You Do The Things You Do (With Jerry Butler) | Betty Everett, Jerry Butler | A♭ Major | 5 | 4B | 63 BPM | ||
| When a Man Loves a Woman | Percy Sledge | D♭ Major | 2 | 3B | 97 BPM | ||
| Do The Funky Chicken | Rufus Thomas | A♭ Major | 5 | 4B | 115 BPM | ||
| How Sweet It Is (To Be Loved By You) | The Elgins | C Major | 7 | 8B | 118 BPM | ||
| Moonlight Music and You | Laura Greene | A Minor | 6 | 8A | 132 BPM |