Johann Adolf Hasse, Janos Sebestyen's ' "Keyboard Concerto No. 4 in D Major: II. Adagio" was released on its scheduled release date, July 15, 2014. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Johann Adolf Hasse, Janos Sebestyen's "Hasse: 6 Keyboard Concertos" album is number 11 out of 19. On top of that, Hungary appears to be the country where this track was created. Keyboard Concerto No. 4 in D Major: II. Adagio is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Keyboard Concerto No. 4 in D Major: II. Adagio by Johann Adolf Hasse, Janos Sebestyen to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto in D Minor; Op. 6 No. 5: III. Moderato | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 102 BPM | ||
| Missa Paschalis, ZWV7: Agnus Dei | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | D♭ Major | 1 | 3B | 79 BPM | ||
| Telemann: Concerto for Recorder and Bassoon in F Major, TWV 52:F1: III. Grave | Georg Philipp Telemann, Nikolaus Harnoncourt, Frans Brüggen, Otto Fleischmann, Concentus Musicus Wien | D Major | 0 | 10B | 127 BPM | ||
| Nisi Dominus, ZWV 92: Nisi Dominus - World Premiere Recordings | Jan Dismas Zelenka, Ensemble Inégal, Prague Baroque Soloists, Adam Viktora, Gabriela Eibenová, Filippo Mineccia, Tobias Hunger, Jiri Miroslav Prochazka | A♭ Minor | 3 | 1A | 112 BPM | ||
| Christ unser Herr zum Jordan kam (Chorus) | Johann Sebastian Bach, Wilke te Brummelstroete, Paul Agnew, Dietrich Henschel, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Major | 0 | 1B | 106 BPM | ||
| Requiem in E-Flat Major: VII. Benedictus | Johann Adolf Hasse, Britta Schwarz, Marlen Herzog, Dresdner Barockorchester, Hans-Christoph Rademann | D Major | 1 | 10B | 137 BPM | ||
| Sinfonia in D Minor, Fk. 65: I. Adagio | Wilhelm Friedemann Bach, Concerto Köln | D♭ Minor | 0 | 12A | 83 BPM | ||
| Concerto, GWV 308: III. Largo | Christoph Graupner, Josh Cohen, Ensemble Sprezzatura, Daniel Abraham | B Minor | 1 | 10A | 109 BPM | ||
| Requiem in E-Flat Major / Lacrimosa: Va. Lacrimosa | Johann Adolf Hasse, Britta Schwarz, Dresdner Barockorchester, Hans-Christoph Rademann | A Major | 2 | 11B | 91 BPM | ||
| Omphale, Acte I: Air. Calme heureux, agréable paix... | Jean-Baptiste Cardonne, Gyorgy Vashegyi, Orfeo Orchestra, Reinoud Van Mechelen | A Major | 2 | 11B | 122 BPM | ||
| 6 Sonates en symphonies, Op. 3, Sonata No. 6: IIa. Larghetto | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | A♭ Minor | 0 | 1A | 133 BPM | ||
| Israel in Egypt, HWV 54: Symphony | George Frideric Handel, Le Concert Spirituel, Herve Niquet | E♭ Major | 0 | 5B | 84 BPM | ||
| Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
| Heinichen: Alma Redemptoris Mater, S. 22: II. "Tu quae genuisti" | Johann David Heinichen, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D♭ Minor | 1 | 12A | 67 BPM | ||
| Divertimento in E-Flat Major, TWV 50:21: Divertimento in E-Flat Major, TWV 50:21: V. Repas - VI. Repas alternativement | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck | B Minor | 0 | 10A | 133 BPM | ||
| Concerto grosso No. 2 in G Major: I. Largo (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | F♯ Major | 1 | 2B | 87 BPM | ||
| Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: I. Allegro | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
| Sei Concerti in sette parte per due violini e violoncello obligato, con in piu due violini, un tenore e basso continuo, Concerto grosso No. 2 in C minor: II. Grave | Alessandro Scarlatti, Europa Galante, Fabio Biondi | B Minor | 1 | 10A | 108 BPM | ||
| Concerto grosso in D Major, Op. 6 No. 1: V. Allegro | Arcangelo Corelli, Akademie für Alte Musik Berlin, Mayumi Hirasaki | E Major | 1 | 12B | 141 BPM | ||
| The Married Beau, Z.603: Trumpet Air - March - Hornpipe On A Ground | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | F♯ Major | 2 | 2B | 108 BPM | ||
| Magnificat, Wq. 215: Magnificat, Wq. 215: 5. Arie. Fecit potentiam in bracchio suo (B) | Carl Philipp Emanuel Bach, Markus Eiche, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | A♭ Major | 2 | 4B | 166 BPM | ||
| Emily — No Prisoner Be: No. 18, So set its Sun in Thee | Kevin Puts, Time For Three, Joyce DiDonato | A Major | 2 | 11B | 122 BPM | ||
| Litaniae de Sancto Xaverio, ZWV 156: Pauperrime | Jan Dismas Zelenka, Hana Blaziková, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | F♯ Minor | 0 | 11A | 96 BPM | ||
| Amadigi, HWV 11: Crudel tu non farai | George Frideric Handel, Randall Scotting, Academy of Ancient Music, Mary Bevan, Laurence Cummings | A Major | 2 | 11B | 122 BPM | ||
| Infirmata, vulnerata: IV. Cur, quaeso, crudelis | Alessandro Scarlatti, Paul Figuier, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM |